#76
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Quote:
I truly meant my remarks in a lighthearted vein. No offense meant to anyone. |
#77
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So just to toss this in...before I knew anything about humidity and guitars, I hung a D-18 on the wall off and on for a couple decades in Michigan winters with wood heat (exclusively) so pretty dry at times. Very humid in the summer near Lake Michigan. Nothing went wrong that I could ever detect (except maybe that peeling up pick guard, which was replaced without adverse comment from the tech). So you might get away with even putting a really nice guitar on the wall though I wouldn't now that I know better. Those inexpensive Yamaha's that punch way above their weight? Hang it up and worry about it later.
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#78
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Even a "beater" gets beat up...
Living in a very dry climate, the commonest form of damage I've seen is a shrunken fingerboard that leaves fret ends rough, or worse. I've seen this with rosewood and with ebony. The ebony board responded to case humidification within a few months; I'm still hoping the rosewood board will do the same. Your laminated, low-end beater guitar will be just as prone to this effect as any other, and someday you'll start feeling it on the neck. Then what will you do? You'll have a dried-out beater guitar that's barely worth the cost of a fret dressing.
I can see the value of a beater for occasional camping trips or playing in punk rock gigs or chicken-wire bars, but not for a daily player at home. You might be able to buy a decent beater for $250, but that kind of coin will buy an excellent room humidifier. And you might find that you enjoy the added moisture yourself, for your skin and sinuses.
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- Tacoma ER22C - Tacoma CiC Chief - Tacoma EK36C (ancient cedar Little Jumbo, '01, #145/150) - Seagull SWS Maritime Mini Jumbo ('16) - Simon & Patrick Pro Folk Rosewood ('01) - Godin Montreal Premiere Supreme - Ibanez Mikro Bass |