#46
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I came across this,
http://www.ebay.com/itm/Guitar-Luthi...-/201106179581 Described as being close to match for Koa |
#47
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Sapwood and crotch for $195.. dreaming.
Like koa, dreaming. |
#48
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Wow - this place is crazy (the awesome kind). Very cool to see the sleuthing done here. I have an AJ with Bhilwara and was always curious as to what exactly it is. To me, it always sounded somewhere between mahogany and rosewood. And I always thought the grain and appearance of the wood was somewhat peculiar - not bad or ugly, just didn't look like rosewood to me. But whatever it is, I really enjoy the guitar and still play it almost daily. Thank you guys for your work.
I posted this sample when I got the guitar around Christmas 2012, but in case anyone is interested in how it sounds: Sorry it's mostly sloppy, aggressive strumming, as that's what I bought it for. But I've done a little crosspicking on it and it sounds great. Not really my first choice for fingerstyle stuff though. |
#49
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It's unconscionable that any guitar maker would market a guitar without being completely honest and above board about specifying the scientific genus and species of the woods used in its construction. Would you buy a guitar if the maker advertised it as being made of "mystic wonder tonewood?" Then why would you buy a guitar of "bhilwara rosewood" which apparently has no more meaning than "mystic wonder tonewood?"
Folks, this stuff matters. If you accept crap marketing buzzwords for instruments you are paying big bucks for, then I'm inclined to think you get what you deserve. I'd prefer to work with makers who are honest about the materials they use. |
#50
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well for me, I didn't buy it based on any specs or marketing materials. I bought it because I spent hours and hours playing different guitars looking for the one that spoke to me. I didn't know what kind of wood it (allegedly) was built from until after I played it for awhile. And I chose it over some fancier guitars that probably have even more cachet and pedigree (e.g. a Collings CJ35) because it sounded better to me.
I agree with you that what they did was deceptive, but in the end, I'm not going to get too hung up on it because I still like how it sounds and play it almost every day. Isn't that the important thing? People get so hung up on specs and woods here, but isn't it ultimately the tone that matters? |
#51
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Quote:
http://www.laguitarsales.com/pages/3...hop_Pallet.htm |
#52
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If there was something about that guitar that appealed to me (whether the tone or the anticipated collectability), sure I would. Obviously, since the listing shows that it was sold, someone thought it was worth it. Who are you to judge them?
Again, I don't know how to explain it to you - I don't buy guitars on specs or what wood they're made from. I buy them based on how they sound. If you just buy a guitar based on what its labels are, then you have every right to be disappointed in yourself for owning it. Luckily, that's not me. |
#53
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Bumping this old thread as I've been doing heavy research into the Gibson AJ with Amberburst. I'm still trying to confirm the b/s wood on those. The one I'm eyeing looks like EIR but the specs online seem to hint at 'mystic' rosewood which I think is also bhilwara. I'm looking at you WHM to keep me honest here!
So is the consensus that bhilwara/mystic RW has a hybrid tone somewhere between RW and Hog? If so, that's a bummer. I love these Amberburst AJs but I want purely a RW tone. I'm not a fan of Hog. I have 3 threads going now, all revolving around my search for the perfect AJ. I apologize
__________________
1963 Martin F-65 Electric Hollowbody 1992 Guild D4NT 2002 Gibson Advanced Jumbo My YouTube Grooves |
#54
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I wonder if Gibson has caller ID??
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"Vintage taste, reissue budget" |
#55
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Quote:
__________________
Frances |
#56
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Quote:
Back and sides don’t matter. Top and bracing do.
__________________
90s Martin D-28 (Algae guitar) 1979 Alvarez CY 115, #226 of 600 1977 Giannini Craviola 12 String 1997 Martin CEO-1R 1970s C.F. Mountain OOO-18 1968 Standel/Harptone E6-N 1969-70 Harptone Maple Lark L6-NC (Katrina guitar) Supreme A-12 Voyage-Air VAOM-06 Esteban Antonio Brown Model |
#57
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Ah nice old thread for an ongoing issue. When I read Albizia odoratissima I noticed that this is a very close relative to the more commonly used Albizia saman. Now the latter is probably best known as "Monkeypod" but I've seen Vietnam built instruments labels this as Koa, and in Spanish it's known as "Acacia preta" and put in with the Acacia family.
It is sad that instrument marketing types are creating this hype about tonewoods, and then fill the demand with creative names and wood associations that botanically don't exist. I would much prefer it if the term rosewood was restricted to Dalbergia, mahogany to Swietenia, and koa to Hawaiian Acacia koa. The more or less related "cousins" to these woods should be labeled by their own names. There can be excellent instruments made of Siris, Monkeypod, Pau Ferro, Khaya, Sapele, Blackwood etc etc ... and we should name them as such and not pretend they are made of something different. |
#58
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. Just for the record, back in 2014, I never did get around to trying out those Gibsons. But the knowledge base of this forum still impresses me.
Guess my take-home in 2019 is if the wood, whatever it is, isn't too ugly, and and the guitar sounds very good, consider a purchase. |
#59
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Quote:
Hey, that’s just business. I’m not going to buy a guitar made out of flat sawn wood, but more power to Gibson for using it. Now, this thread is five years old, and I’m not certain any guitar companies are still promoting “bhilwara” wood. But if I remember correctly, whatever it is, it’s not a true rosewood. Wade Hampton Miller |
#60
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Quote:
__________________
1963 Martin F-65 Electric Hollowbody 1992 Guild D4NT 2002 Gibson Advanced Jumbo My YouTube Grooves |