#1
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NGD (sort of): Franklin 12 Fret Dreadnought
This Franklin is Nick’s 12 fret dreadnought model. The top is red spruce and the back and sides are Brazilian rosewood. It’s a long scale length and most of the other dimensions are pretty standard.
This is a sort-of new guitar day. I received this guitar back in December from a Reverb sale. The guitar was described as having been loaned to a friend and improperly humidified. The guitar was said to have developed some cracks as a result and was sent to Nick Kukich for repair. I asked a number of questions of the seller and was assured the guitar was “like new” except for the repaired cracks in the back. When I received the guitar, I noticed the heel was cracked and was told it must have happened in shipping (I later realized from the ad photos that it was cracked before shipping). The buzzing was so bad the guitar wasn’t playable. I thought it was just a high fret. Stupidly, I agreed to get it fixed and ended up owning a whole host of issues. Here’s what Lewis Santer, my trusty luthier, found: 1) Heel was cracked 2) Top seam was split and had to be cleated 3) The neck had to be reset after the cracked heel was repaired. This was complicated by the fact that the hide glue used to seal the end grain on the neck had re-activated and glued itself to the body (the neck is a bolt on) 4) Many frets were totally loose and the fretboard had to be completely leveled to render the guitar playable 5) The saddle was loose and leaning forward about 25 degrees. The slot had to be deepened and a new, thicker saddle was made. 6) The case was designed for a 14 fret, so the headstock was laying on top of the accessory compartment. This is probably why the heel cracked at some point along the way. That case had to be replaced. Lewis and I had to call Nick about removing the neck because it wouldn’t come off when the bolts were loosened. We learned from Nick that he received the guitar after it had been loaned out. He guessed it had been left in direct sunlight or in the trunk of a car because it had essentially fallen apart. He described cracks so large in the back that you could see through them. He told the owner the guitar was a “total loss” and should be submitted as such to insurance. Regardless, the previous owner had Nick rebuild the guitar. I’ve never had a buying experience remotely like this one, and it has cost quite a bit of time and money to get it into playing shape. It’s my fault for agreeing to have the heel crack fixed. I should have sent it back as soon as I received it. You can imagine my frustration when, a couple of months later, I re-examined the ad photos and found the heel was cracked before shipping. Anyway, the work has finally been completed and the frets have been re-glued and Plek’ed. I’ve had very little time with the guitar in playable condition, but it has a huge, cavernous bass. It’s not unlike many of the Somogyi-style guitars I’ve played over the years, though perhaps not quite that bass focused. It really growls when tuned down to open C. I think drop tunings are this guitar’s strong suit. I looked around for an inexpensive case solution, but ended up getting a Karura in the end. It’s a standard dreadnought case, I believe, but it fits the guitar well and the headstock clears the accessory compartment. I’ll spend some more time with it in the coming weeks and report back on more details.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#2
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Congrats....
I am certain the process of receiving and restoring may not have been in your original plan and was a unpleasant surprise. Hopefully with the guitar now in restored condition it is both a joy to play and hear and adds some new sounds to your musical repertoire..
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#3
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It's always frustrating to hear about fraud.
I like the stain on the soundboard - it reminds me somewhat of a violin finish. Do you know how it was done? |
#4
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I am the happy owner of one of Nick’s Dreads dated 1981. Adirondack and Braz I think. It has been used professionally, privately and needed some TLC when I got it. But like all of the Franklins I have played (11 over the last 12 years) it impresses me every time I pick it up. His Dreads are rare. I think he has only built a dozen or so. My bet is you will find the repairs money well spent. Congratulations on the find.
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#5
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I think the finish was hand rubbed. It's described as a Loar style burst, but I'm not certain how he does it. I think it looks fantastic. Bob probably knows!
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#6
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Nick uses a traditional hand rubbed finish. The spruce top gets a sealer/conditioner coat typically with shellac. The dyes are applied by hand with an application cloth to apply them to the sealed top. These are colored, water based dyes, frequently cut with some alcohol. The creates a charming, antique looking somewhat splotchy sunburst. After the color is applied to create the hand rubbed burst coats of nitrocellulose lacquer is applied.
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#7
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Sorry to hear of your headaches...
Jeez, this kind of story is a bummer! I have learned to ask a zillion questions and actually TALK ON THE PHONE, with a seller if possible.
If the seller will not answer I just walk. There are a LOT of mighty fine guitars, as a quick peek thru the FS listings here will show! And I now ask for clear, detailed and closeup pics of any issues. But how do you deal with LIES? And, now that this is in tip top condition again, I am sure you may well be glad you persevered! Hope so!!! Have fun and play pretty Paul
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3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#8
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Quote:
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#9
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Quote:
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#10
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It is unfortunate that you had to go through all that grief for this guitar but hopefully it will give you years of playing joy.
This guitsr looks like one i saw on sale a few years ago on luthiers collection website. I dont usually like sunburst finishes but this one looks very nice. Very nice brazilian rosewood also.
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In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... |
#11
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Juston, I bet Lewis did an awesome job on this one! Hope for the best result~
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#12
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Sorry to hear about the excessive drama. That's definitely no fun.
I remember seeing that guitar on Reverb and was smitten by that 'burst. I'm hopeful that there will be a happy ending with this axe. Nick Kukich is definitely on my short list of builders! |
#13
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That's a horror story, but a gorgeous guitar. Really, I think that is the most beautiful burst I've ever seen. I hope the guitar treats you as well as you have treated it!
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Hatcher Woodsman, Collings 0002H, Stella Grand Concert |
#14
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I remember seeing this one at Luthiers Collection years ago. Sorry for such a frustrating purchase. Glad it turned out good in the end.
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#15
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I’m very happy to see this guitar resurrected! I chose it for Fretboard Journal as one of my faves of the Healdsburg festival. A wonderful guitar.
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John |