#1
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Tenor tuning for lead guitar player?
I'm diversifying from six string guitar to a tenor guitar, with the potential it'll become my main instrument. I started as a uke player and moved to GDAE for a bit on a tenor, but moved to a six string a few years back before really growing beyond beginner at tenor guitar.
Present day, I'm a good guitar player (not great, but better than the average bear). I got an electric tenor guitar and am overwhelmed by potential tunings. If I want to still lead my three piece band (mostly 90's / 00's grunge, alternative, pop punk) with a tenor guitar, what would you recommend? I'm thinking open E or GDAD but am wide open to ideas. Thanks! |
#2
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GDAE would give you approximately the same overall range as a standard guitar, with wider chord voicings;
CGDA puts you squarely in lead guitar territory, again with widely-spaced chord voicings; GCEA drop-G tenor uke tuning also makes a good lead guitar tuning (I use it on tenor banjo), with tighter chord voicings for rhythm work; DGBE baritone uke tuning takes out some of the low-end mud of a six-string, with similarly tight voicings to GCEA; Open tunings lend themselves more to modal leads, as does GDAD (a common Celtic tuning)... That should muddy the waters a bit...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#3
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#4
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Tuning in fifths - CGDA or GDAE - has the advantage of consistent chord and scale shapes over the entire fretboard. CGDA is tenor banjo (and mandola) standard tuning, so there are plenty of study aids. GDAE is mandolin tuning, so again, plenty of study aids. Fifths tuning is a dream for single-string work, but chords can be more difficult, which is why most jazz banjoists who play chord melody play plectrums, tuned CGBD. Elmer Snowden, the great jazz tenor player, tuned GDAE. I would like to tune GDAE to reduce the inherent piercingness of the A string, but “better is good, standard is better.”
Just some random information.
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2007 Martin OM-21 1950 Epiphone Devon 2019 SilverAngel mandolin (“Swazi” - it’s a long story) Eastman MDA-315 2021 Karsten Schnoor Custom B&D Style 5 tenor banjo 2019 Schnoor Weymann (orphaned pot) conversion 1958 Gibson ES-125T 1967 Emmons GS-10 1976 Fender Telecaster (“Ohmygodthisweighsaton”) Lots and lots of other stuff |
#5
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#6
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She's very impressive and her tenor collection is to die for, but she is in DGBE tuning and being able to play a six string already, it doesn't appeal to me. I think GDAE for lead work and maybe downtime to GDAD for rhythm/chordal work is what I'm seeing a lot of on mandolin/tenor forums. The demo for the Tenor Tele on Youtube where the guy is running CGCG for a bit is really cool too.
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#7
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I play in 5ths a lot on mando's of all sizes.
Tenors I have tried in GDAE or GDAD, and they work fine but mando's often do the same but better. Including Atilla the Stockbroker style punk electric mandola stuff. Based on Steve Knightley's Show of Hands arrangements, using the tenor in CGDA gives it a voice apart from guitars or mandolin/fiddle registers. Acoustic or electric... I like CGDA for more melodic playing, but CGDG for chordal rhythm stuff. |
#8
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My current favourites are 1 5 1 3 tunings, G D G B for example.
For a bit more range, the modal tunings are a lot of fun. 1515 or 5151. (GDGD / ADAD). |