#1
|
|||
|
|||
Teaching professionals I need some help.
Ok I've been playing and gigging for all of my adult life and in the last year I've noticed an issue I just can't seem to correct on my own. I'm obviously pressing down too hard when playing chords because going into my third hour on a gig my fretting hand fingers are throbbing and I've worn grooves into my callouses. I've been working to remain constantly cognoscent of the amount of pressure I'm applying to the strings but I think I'm still gripping way too tightly and gigging is getting painful. Anybody got any tips they can share? Other than "lighten up" because I'm trying that and it isn't helping.
__________________
'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#2
|
||||
|
||||
The first thing I would do is make certain the guitar is set up to play as lightly as possible. When I'm playing long gigs and keeping an eye on hand pressure, I apply little, to no, pressure from the thumb onto the neck. That is only possible when the guitar is set up optimally. Unfortunately many guitar's need too much pressure due to a less than optimal set up.
|
#3
|
|||
|
|||
Quote:
__________________
'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#4
|
|||
|
|||
Would lighter-gauge strings be an option?
__________________
I am here to learn. |
#5
|
||||
|
||||
Hey Mick,
Sorry, this is not the answer you want, but it happens. There is a thing called “tactile” sensation. When repeating anything for years, our minds can sometimes misinterpret this feedback. When that happens, (as I believe it is with you-based on similar experience-mine and students) you literally have to relearn the behavior. Here’s what I did: Every day you play (without an audience) use barely enough pressure to fret the strings. If the notes or chords are not clean-don’t worry! Relax your hand and fingers and keep the grip super light. After a few days, increase the pressure just enough so that the notes or chords are clear-no more. Keep applying this routine for a month or more-you may think you’re good but keep going until you have a good four weeks under your belt. Your tactile sensation will “return” to what it was, and it won’t require any further thought. Mark P.S. Things will go back to normal. Been there. Got back.
__________________
Guitars; Esteban -"Tribute to Paula Abdul L.E." Arturo Fuente- Cigar Box"Hand Made" First Act-"Diamond Bling" Main Street- "Flaming Acoustic" Silvertone-"Paul Stanley Dark Star" Daisy Rock- "Purple Daze" |
#6
|
|||
|
|||
Quote:
Not a professional, but what fairly quickly allowed me to lighten my fretting pressure was to practice very quietly. I read that when one hand is working hard, the brain tries to help out by increasing the tension in the opposite hand. Practicing this way really lightened my fretting pressure and made that feel normal. Then I could increase volume and keep pressure down. Occasionally I need to practice quietly again if the hard fretting habit tries to creep back in. Mike |
#7
|
|||
|
|||
Get a cheap "other" guitar and put something like .09's on there. Play it for an hour a day, and try not to sound terrible. You'll lighten up your touch pretty quickly.
|
#8
|
|||
|
|||
Quote:
Quote:
Keep the suggestions coming...I need all the help I can get!
__________________
'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#9
|
|||
|
|||
Experiment to find the minimum pressure you need to sound a note or chord. Touch the string(s) with your fret hand and push them slowly down to the fret.
Before the string reaches the fret it is, of course, "fret muted". Picking it just produces a "thunk". As it gets to the fret, that "thunk" turns into a note. At the moment it turns into a note, stop pressing. You don't need to force the strings down to the wood, only hold them against the frets. I.e., playing with a lot of fret muting (on and off) is a good way to test how much (little) pressure you need. As you strum (or pick), keep fret muting, allowing the strings off the frets then back on. Look for that optimum point when the muting turns into notes. It's also worth bearing in mind that playing live can make you play harder, subconsciously. You feel you have to up your game, to play louder, to get it out there. That's true to some extent - it's no good being hesitant, you have to play with total confidence. So it's a difficult balance to strike: to "sound strong" without actually using a lot of strength. But that mostly comes down to timing. You can be absolutely crisp with your rhythm, while still being light with your pressure. BTW, when you talk about "grooves in your calluses" as you go into your third hour - that's not really surprising. The problem is those throbbing fingers, right? Personally I never play for more than two (separate) hours at my gigs, but grooves easily form in my fingertips, just from holding one chord for a while. However, I have no calluses - the skin is just a little tougher, no visible difference from my other hand - and my fingers are never tired or painful. I'm sure I could play for a third hour (or more) with no problem. If it's relevant, my strings are 10s, I have the action as low as I can get it, and I use a .73 or .88 pick. I play both lead and rhythm. On acoustic, the only difference is I use 11s.
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen. Last edited by JonPR; 09-16-2019 at 04:55 AM. |