#1
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Schertler Jam 200 for a trio is all you need?
Hi I am looking for an amp now to go along with my incoming Felix preamp.
Is the Jam 200 good for solo, duo and trio? I am most interested in the sound dispersement per any size room. I don't anticipate large gigs, and if so, I will use the Felix into a PA. Is there any other amp that is clear for the Felix and my fine acoustics that has that sound dispersal? I read the L1 Bose has that in a way??? Will need to have individual vocal channel reverb control. Any recommendations for an acoustic amp? Not too large for small to medium gigs. I could just get the Roy and do the pole mount mod if that has the warmest, woodiest and on some songs warmest modern digital effects reverb, etc... Or possibly the AER that the esteemed Mr. Skye enjoys? |
#2
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I use that combo alot and it sounds great! 90% of the time it's a Schertler and a Grace Alix for me and it sounds great too!
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#3
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I might just get the ($1,200) 3 channel Schertler and not Roy? Wish there was a AER, BOSE, etc... room around here. Last edited by tippy5; 08-15-2019 at 06:54 PM. |
#4
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I use the Roy live and it has excellent projection. The vocals sound great and not boxy like other amps I tried. I'm familiar with the Jam and I don't think it would be much different as far a sound quality, just not as loud.
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#5
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So I am still trying to decide an amp. My Felix came in. Might still go with the fine Schertler because it has the best vocal sound that I can tell from information and some utube demonstrations. I wonder if the JAM 200 has the same vocal circuit?
Or the option many of you suggest for good vocals: a stand and a powered speaker? Since my voice is mediocre I sometimes gig with instrumental background music. I need a 2 channel acoustic loop. I like to do a lot of different improvised melodies with a EH 720 loop bass (Travis) line looped in one channel. Couple the straight loop with an effect laden channel to comp over. (I don't like Roy's effects and now do not need it's notch, or EQ). Also going to mess around with a friend's offering. A JBL EON 1 to see if that has enough lows. I might also try out my friend's Roland keyboard amp and an old Fender bass amp that I have around here. I also play a little piano and have a new digital 88 Key Yamaha. If the Roy or the Jam 200 don't seem the best please let me know. I am thinking of the highly recommended QSC K8.2. Looks great for the price. Maybe I should dig out my 2003 Mackie 6060S stereo powered monitor and passive JBL's? Last edited by tippy5; 08-17-2019 at 12:01 AM. |
#6
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Schertler sound reinforcement/amp products are quite nice and its hard to find anything to complain about them. Schertler used to sell powered speakers, modeled after their acoustic amps, sans preamp/effects/eq circuits. Now, they offer two PA systems, each with two powered speakers for pole mounting and a sub. Perhaps one of those would suit your needs (along with a mixer).
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#7
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and a few months back opening for John Paul White (of the Civil Wars)... Last edited by rockabilly69; 08-25-2019 at 01:23 PM. |
#8
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For a duo or trio, go with the Schertler Roy or Acus 350. Bose would work fine as well.
I use a Grace Felix -> Schertler Jam 150 ext all the time. However a single 8" speaker has it's limits. If I'm running more than solo I prefer the extra power coverage of the Acus 350.
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Spook Southern Oregon |
#9
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As much as I like my Jam 400, I think I’d love to try the Roy. I also would like to try adding a sub or bass to it, so our bass player could run his upright bass thru it and maybe get the response he wants to hear -
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#10
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Was thinking the Roy was just a feature improved version of the Jam 400 using the same sound producing bits? That and a pretty good price bump.
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Spook Southern Oregon |
#11
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My only complaint with Jam 200 is the mic input gain. Using an SM-58 you almost have to use a mic pre-amp to get the mic loud enough. I'd say it's 10-20x less loud than a passive guitar input. I use RNP preamp, which I like a lot, but it's because I pretty much have to.
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2001 Goodall RGCC 2004 Goodall RPC-14 2022 Emerald X20 Hyvibe 2021 Emerald X7 Select 2020 Emerald X10 Woody Select 3-way 2016 Emerald X20 Artisan 2002 Gibson J185EC JJ Cale 2009 Gibson EC-20 1974 Alvarez Dreadnought 2013 Woody Tahitian hybrid Uke 2008 Zager 3/4 Size Some camp fire guitars, classical's, & electric's |
#12
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The controls for effects and the separate reverb / effects for each channel, mute button - there are a number of tweaks that might be really nice, but nothing that makes me feel my 400 is inadequate. Yeah - its the price bump that holds me off. Got a great deal on my 400 used - I’d love to find a similar deal on a Roy -
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#13
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Another extremely happy Roy user here. I got mine used on eBay, but seeing one of these used is pretty rare and it is really expensive new. You really have to do the speaker stand mod as well. As compared to the Jam 400, the Roy has an extra DSP that I use on about three songs. The dispersion theoretically shouldn't be great, but in practice, it covers a large room really well. The sound quality is exquisite! A live performance is a high fidelity experience with this!
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#14
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Quote:
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#15
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You could use a FetHead or Cloudlifter to give the mic extra gain. Power it via phantom power.
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