#1
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Why do different guitars of the same model sound so different?
It's common knowledge around here that, when shopping for a new guitar, it's best to try out a bunch for a given model and choose the specific guitar that feels & sounds best. I totally understand the playability part, since setups are always a bit different. But it boggles my mind how different, in my experience, two guitars of the same model (with similar setups) can sound.
I recently encountered this with a pair of Martin D10E's and a pair of Yamaha FG800's. In both cases, one guitar sounded great while the other sounded flat & thin by comparison. Obviously all of the materials, bracing, CNC cuts, etc were identical. This leads me to believe that the differences lie in the specific pieces of wood used in each instrument. There could also be a discrepancy between how much each guitar has been played and opened up. Thoughts? Is there something else I'm not thinking of? |
#2
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Why do hurricanes and mosquitoes exist? There are some things in life whose purpose seems little more than to mess with us!
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#3
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The builder didn't grow the tree.
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"One small heart, and a great big soul that's driving" |
#4
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I think you may be wright.
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2007 Indiana Scout 2018 Indiana Madison Quilt Elite 2018 Takamine GJ72CE 12-String 2019 Takamine GD93 2022 Takamine GJ72CE 6-String 2022 Cort GA-QF CBB 1963 Gibson SG 2016 Kala uke Dean A style mandolin. (Year unknown) Lotus L80 (1984ish) Plus a few lower end I have had for years |
#5
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Seems this world wasn't built for just us, and I'm kinda wondering what purpose we serve in it. BTW Both the Hurricane and the Mosquito were enormously helpful during WW2! arf arf!
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#6
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Equally, any two identical guitar will actually differ in many different, if subtle ways. Even the action and the life of the strings will make a difference. Even how many people or how or how much it was played will make a difference. Let's face it even our own guitars will sound different day to day due to the above and environmental considerations, and of course, our hearing/attitude, or maybe how many coffees we had.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#7
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….I don’t know if you were comparing new or used guitars but….…in my experience nothing affects the sound of any guitar as much as string choice and condition.(other than the player)..….a guitar can sound pretty bad to me and if I change the strings to one of my preferred sets it can sound great…..
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...Grasshopper...high is high...low is low....but the middle...lies in between...Master Po |
#8
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Yeah, strings and string condition can have a lot to do with it. As can the conditions/situation in which you are playing.
It's also that wood is quite a variable material. Even minor differences in the weight and stiffness of the top wood and the bracing will deliver different tones... and those increase as the differences in the raw materials do.
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#9
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Wood is made by nature and not in a steel mill…that is, its composition and structure will vary piece to piece, even if it is from the same tree. The wood in Stradivarius violins was thought to be special because the wood used came from a forest that may have experienced a ‘mini-ice age’…and so the trees grew very slowly making a particularly dense wood. Any tree experiences changes in climate that vary from year to year, affecting growth rates and wood structure. If the wood is cut across the grain lines it will have a different structure than a piece cut with the grain lines…are you asleep yet?
So I hope by now you believe as I do that no two pieces of wood are identical. The master luthiers will tap the material for a soundboard to make sure it rings with the right resonance, and somehow they get it right. Can a factory automate this process? If anyone can, Yamaha can…and even their guitars vary…why…yep, it is because wood varies. Amen. End of sermon
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Angie Last edited by zeeway; 06-25-2022 at 01:56 PM. |
#10
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2. Already been said, but wood was a living thing that grew under myriad conditions, none of which can be duplicated in sum. Same-species will vary in a whole lot of ways, all of which affect its resonance when strings start to move it. Heck, this can even be true of man-made products whose components can be genuinely identical, but come to assembly, every minute difference produces a final difference that can be felt. Engine assembly is an example that comes immediately to mind: same exact components (unlike wood), yet when dyno'd at the end can vary significantly. 3. Guitars of identical specs built consecutively will vary by nuance, despite CNC accuracy and ardent human desire: glue thickness, seams, the countless tolerances between components. Any one variance may not amount to much, if anything; in sum, small variances can --and often do-- translate to the guitar's voice being different despite their being "identical." 4. The guitar's age and how often played certainly will alter its voice. Edward Last edited by edward993; 06-25-2022 at 09:42 AM. |
#11
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Maybe it's just guitars of the same model sounding different that exist to mess with us, after all! |
#12
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#13
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Yeah, after doing my A/B comparisons I'm left to believe that this is the main reason why "identical" guitars sound so different.
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#14
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Why do different guitars of the same model sound so different?
Which is why "Try before buy" is such an important axiom to follow. Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo |
#15
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In Miami, that works for cheap mass-produced instruments from overseas (usually the Far East) or for a very limited number from the 'Big Three.' Everything else we have to take a gamble on through online sales.
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