#16
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K&K Pure Mini and an Audix OM-5 mic into a Behringer small mixer and then to a pair of Ultrasound 50W acoustic amps, up on poles.
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-Raf Last edited by Misifus; 03-22-2021 at 05:58 PM. Reason: Typo |
#17
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HOw difficult is that amulet M install?
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#18
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I haven't gigged out in a few years but I want to after this covid is over, next weekend supposed to be nice and in the upper 60's so I'm taking what I use in the house, outside and see if I can even hear it farther than 50 ft. Lol
First off everything is battery ran: So my Seagull momentum CH into a Zoom GX four for reverb into a Kustom PA40BAT Mic, either a Se V7 or a Lewitt MTP250 into a TC Mic-Mechanic for reverb into the Kustom Should be interesting since the Kustom only has 36 watts on battery power and 4-4in speakers with a Twitter Seems loud in my office and garage but open air and no ceiling and walls makes alot of difference But that is the reason to see if it would work outside get togethers or gigs If it's too quiet I'll bring out the Headrush 108 |
#19
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Guitar out to LR Baggs Para DI, out effects loop to Korg tuner, TC Corona Chorus, Ernie Ball VP Jr 25k volume pedal, Electro-Harmonix Canyon Delay, TC Arena Reverb, TC Ditto looper, back into effects loop, out of Baggs via right angle XLR, which supplies power (via mixer's phantom) to the DI. I can mute my signal either with the Korg or with the volume pedal.
Vocal mic is likely to be a Miktek PM9 or Neumann KMS105. For FOH, I use a Stagepas 1k, or a MG10XU and a DBR10 or DXR10. This summer I may be using a recently acquired Stagepas 600 for FOH duties.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. Last edited by YamahaGuy; 03-22-2021 at 06:42 PM. |
#20
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John Walker Lochsa
Trance Amulet Soundcraft mixer 2, Yamaha DXR12MKII 12" 1,100W Powered Speakers
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Rockbridge DDS Huss & Dalton TD-R Martin 50th D35 Martin D28 1937 Aged Authentic John Walker Lochsa Roberts Slope Dread Johnny Rushing Ditson Style 12 Fret Beard Goldtone Resonator Bob Thompson Slope Shoulder |
#21
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Cole Clark Angel 2 into... well... anything. Nothing else needed except an amp or PA.
For our gigs we use a Bose S1 Pro. 2 of them if we need more power/coverage (rare). If we need more inputs (like dual mics) then we go into an EAE StompMix X6 mixer, then into the Bose. |
#22
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I know you were asking Maury, but the Amulet is very easy to install. If you already have an endpin jack hole then it's just a matter of cutting out the jig and following the instructions. I had no issues at all with installing mine. The hardest part IMO is trying not to touch the cardboard jig with the tape on the transducers when trying to find the correct spot for placement.
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#23
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2 guitars in different tunings - 1 has lr baggs anthem, the other a mojotone soundhole pickup. Into a sunn audio ms-2, then sonic research turbo tuner, then empress compressor (I use it sometimes, sometimes not) then a reverb unit (at the moment, it's an earthquaker dispatch master but I plan to change that soon). The whole board is battery powered with a tourtech PB1905 board
All of that goes into a Bose S1 pro for smaller gigs and busking (all battery powered) or to FOH. |
#24
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Generally a Takamine P7DC into a tonedexter, an mxr sugar drive (If I need a slightly dirty solo boost), and a moog mini fooger delay (very occasional guitar solo effect, reverb alternative). This goes into a Yamaha emx 5014c powered mixer and usually into a pair of passive Yamaha cbr 15’s or active dxr 10’s (depending on the gig). Sometimes I use a small behringer sub as well. I also use a Roland spd one kick (left foot), and an LP 188 foot tambourine (right foot).
I sing into a shure beta 58 usually, and occasionally into a 57 with one of those elongated pop filters (the kind that makes it sorta look like a skinny sm7b). Smallest gig: mixer plus single cbr, guitar direct to desk. Biggest gig: everything with cbr’s as foldback. I usually carry a spare acoustic, sometimes a cigar box or round neck steel bodied resonator for a few slide numbers. Steve |
#25
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I don't play big venues. ( I would it they'd hire me.) Bose Compact and S1 get me by. I used them together for an outdoor event at an orchard and was clearly heard for a surprising distance - without blasting anyone nearby. I use Audix 15 for instruments and Sennheiser 945 for vocals.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Goodman J45 Lutz/fiddleback Mahogany Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#26
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Martin 000-28 and my voice -> AKG P420 large diaphragm condenser mic -> Carvin AG300 amp (the AG300 is really a PA that looks like an amp)
Can mount the AG300 up on a speaker stand if needed and can send a line out to house PA and just use the Carvin as a monitor. With just a single mic, I get to be my own "mixer". |
#27
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Martin D-28 w/K&K mini
Sure Beta 58A LR Baggs venue DI EV Evolve 30M
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~Bob~ |
#28
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Martin HD28 with K&K Trinity and K&K Preamp (waiting to put my hands into a Felix2), QSC Touchmix 8, one QSC K10.2, Neumann KMS105 for vocals and a Neumann KM184 for the HD28 if the venue is good for it.
I'll soon post a video on my YouTube Channel about the K&K Trinity... I'm EXTREMELLY impressed!
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Rodrigo Pandeló 2005 Martin HD28 with K&K Trinity; 2012 Cordoba C10; Grace Design Felix 2; Sennheiser MD441; DPA 4099 Core; DPA 4018L; Bose L1 Compact; QSC Touchmix 8; QSC K10.2; Neumann u87ai; Neumann KMS105; Neumann KM184 (matched pair). http://www.youtube.com/rodrigopandelo http://www.rodrigopandelo.com http://www.instagram.com/rodrigopandelo São Paulo/Brazil |
#29
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Not that I go out much or often but this is the set up I currently use. Can be stripped down easy enough but I like that big stereo sound.
(Main guitar) 000-28>Fishman MagMic>5.8G wireless>Radial ABY: A>B> (A)>ADI21#1>TCH Play Acoustic w/vocal mic (Stereo out)>Mixer>QSC CP8#1 (B)>ADI21#2>Stereo Delay>Neunaber Immerse (Stereo out)>MIxer>QSC CP8#2 JamMan Stereo Looper<>Mixer |
#30
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It's easy to place it in the recommended location if you have patience. At least half of the time, its tone and/or string balance can be improved by slightly adjusting the positioning of one (sometimes both) of the lenses. This can cause some potential buyers to hesitate on a purchase, but to my ears, this system is worth some extra install time.
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