#46
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I do the exact same thing. Works well for me.
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Taylor 512ce Urban Ironbark Fender Special Edition Stratocaster Eastman SB59 |
#47
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#48
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This one of those topics that just keeps coming back, over and over again, with no right answer. Motorcycle forums have something similar called the "oil thread", where someone innocently asks what the best oil is, and unwittingly starts another many-page monster thread full of different opinions, some with reasonable-sounding justifications even, that ultimately boil down to, "use what you prefer because it doesn't make any real difference".
I think the only constant is, you need to wind enough loops around the post to keep it from slipping. I'll leave 1-2 post separations at the end before cutting (yes, with dykes) off the excess. I personally use what some people call the "taylor method", and I even stretch the strings a bit after they're tuned to pitch the first time. Works fine for me on all my instruments, and has worked fine for decades. But if someone else prefers a different ritual, that's fine too. Well, there's a second constant: It's a pain to put on new strings no matter how you do it. I just did this yesterday on my S18, which is 12 strings to change with the added bonus of very limited room on the bass side, making it impossible to use a winding tool. I only drew blood once, and then had to deal with tuning the 12 new strings, plus re-tuning the 6 bass subs that also drift around as the tension on the fretted strings changes. Fortunately this instrument doesn't need string changes very often, so it's about an annual ritual.
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'17 Tonedevil S-18 harp guitar '16 Tonedevil S-12 harp guitar '79 Fender Stratocaster hardtail with righteous new Warmoth neck '82 Fender Musicmaster bass '15 Breedlove Premier OF mandolin Marshall JVM210c amp plus a bunch of stompboxes and misc. gear |
#49
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"It's only castles burning." - Neil Young |
#50
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I watched some videos of various string changing methods and would like to make a few suggestions:
Don’t lay the guitar on it’s back – instead, put the guitar on an upright stand and change the strings while sitting down with the headstock at eye level Don’t use a power winder to loosen and tighten the strings – for sure it will scratch the sides of the headstock – use fingers or a plastic hand winder Don’t’ take all the strings off at once – releases all the pressure off the neck - tuning the new strings takes longer to re-bend the neck Don’t leave the strings loose and flapping on the guitar – will scratch the guitar Don’t take the strings off with wire cutters – will damage the pins and the bridge – use fingers or a plastic pin remover attached to a plastic hand winder Don’t just put the ball end in the pin hole and push in the pin – pull up hard on the string after inserting the pin part way down, to seat the ball against the bridgeplate, and then push the pin in snuggly Don’t insert all new strings in the pin holes at the same time – this will leave strings flapping and will scratch the guitar – do one string at a time from start to finish Don’t pull the coiled strings off the tuning posts – apt to scratch the post and the headstock – unwind them instead Don’t put any bends in the strings, at either end - will cause kinks in the wrong places – strings will automatically bend at exactly where they need to bend with no pre-bending Don’t leave the strings full length while winding – the long ends get in the way while winding - cut the strings to the correct length first (except maybe for round core strings) Don’t push the cut end further than necessary through the post hole – to avoid having to do a second cut when the string is on Don’t pull the strings a random distance from the guitar to determine string length – use a more accurate method such as the 1 - 1 ˝ post distance method Don’t put all the winds under the post hole – the tuning post might be too short, particularly on the bass strings - put the first wind on top and the rest under to pinch and lock the string against itself and to allow room for 1 extra wind if needed on short posts |
#51
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I do most of your don'ts.
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Rob Hanesworth Not tryin' to brag, or nuthin', but I own a guitar. |
#52
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I thought you might be. Maybe I'm doing it wrong?
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#53
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When I bought my Martin JTDB I tried the Martin way but now I've gone back to my normal one over and two under method . Much easier to remove and install
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Martin OODB JT Gibson J45 Yamaha LLTA Yamaha SLG200S Yamaha NTX1200R Taylor GSMiniE Rosewood Joe Brown Uke AER Compact 60 Marshall AS50D Now 100% Acoustic and loving it ! No more GAS |
#54
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I like this forum as everyone are willing to share their thought and advice Gonna try these out at my next restring ... hehe
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#55
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This is what I use on all of my guitars electric & acoustic
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#56
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Sorry for posting to such and old thread, but I need some advice and didn't want to start another one.
I've been using the Taylor recommended stringing method for many years with no problem until recently. I have a slot head Martin guitar (00-28vs) and I just recently changed to D'Addario XS coated strings. I'm finding that they slip and I'm trying to decide if I should just add another turn or switch to the Martin recommended lock method. I should mention that I like the XS's because of the slipperiness (less finger squeak) and therein lies the problem. By the way, I don't have any problem with a standard peghead. Does anyone use these strings on a slot head, and if so how do you string? Thanks in advance! |
#57
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O M Goodness!!
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https://markstonemusic.com - American Primitive Guitar in West Texas Instruments by Kazuo Yairi, Alvarez, Gibson & Taylor Former AGF Moderator |
#58
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Hopefully you'll receive a proper answer quickly. I don't use either Taylor or Martin ways of stringing. I have one slot head guitar, and I don't even anchor the string in the bridge till I have 3-4 winds around the shaft. I use coated strings, but I've never had them slip, but then I've never applied less than 3-4 wraps around a shaft. When I start the stringing process, I pull plenty of slack though the hole (I NEVER pre-cut string lengths). I put the bare string end through the shaft and make sure I have enough slack to wind it 2-3 times around before progressing. Holding the string snug coming off the shaft with one hand, I tighten it (with an electric driver) and before it begins it's final snug-down-around-the-shaft, I stick it in the bridge and drop in the pin. Then I finish it off. I don't 'lock' strings onto shafts EVER. There is probably a more efficient way of dealing with slot-head stringing than my method. Good luck! I'm guessing if you stick enough of the string through the shaft and get enough wraps around it, it will hold tension just fine (and not slip). You may need extra wraps around the shaft to accomplish this. |
#59
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I'd venture to guess Martin's locking method is responsible for 90-95% of all headstock scratches that happen to Martin guitars. Hate it. And I curse whoever did it when I take them off a guitar and silently pray they get papercuts between their fingers as karmic repayment.
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#60
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It's so much easier on its back and taking all the strings off at once doesn't hurt the guitar. I just tune it all up then pull on each string then retune then repeat a second time and everything holds tuning fine. And no way would I ever go back to NOT using a powered winder. If you get the right attachment and learn how to do it, you won't scratch a peghead. If you ever try it I bet you wouldn't go back either |