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  #46  
Old 04-08-2016, 07:54 AM
RogerC RogerC is offline
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I'm actually a fan of adding some shading around the edges of dark wood to bring out all the different color tones. It's what I did on this one.

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  #47  
Old 04-08-2016, 08:38 AM
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My preference is for letting the top shine unadorned.

It is difficult to adorn beautiful, natural phenomena. I, for one, can't think of a way to "improve a sunset" outside of being present.
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  #48  
Old 04-08-2016, 04:02 PM
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I guess I'm in the minority, but I get use to that....I think I would do some light shading just around the edges, I think it would add a pretty cool dimension to the colors instead of just one uniform look, in a way it would provide contrast to let the rest of the top stand out....
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  #49  
Old 04-09-2016, 12:29 PM
Blitz49 Blitz49 is offline
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As a future Michaud owner I vote for no sunburst, plenty going on without adding that.
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  #50  
Old 04-09-2016, 02:37 PM
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Quote:
Originally Posted by RogerC View Post
I'm actually a fan of adding some shading around the edges of dark wood to bring out all the different color tones. It's what I did on this one.

Yes, I really like that. Subtle, instant patina with added interest and depth.
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  #51  
Old 04-09-2016, 02:47 PM
gtr1x gtr1x is offline
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My vote would be for the shading, it will add more contrast and make the metal pop more.

Looks great.

Mark
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  #52  
Old 04-10-2016, 06:36 AM
lizzard lizzard is offline
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NICE! Congrats. That is some lovely wood that ought to pair very well.

Will be lurking!
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  #53  
Old 04-10-2016, 01:39 PM
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While that top is indeed very nice, and you probably can't go wrong either way... I think a slight edgeburst will look fantastic. I had it done on my Stehr, and I am glad I did.
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  #54  
Old 04-10-2016, 01:42 PM
LouieAtienza LouieAtienza is offline
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I think it would look nice with a very slight "burst" or maybe a vignette effect. It does make the center seem to "glow" more..
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  #55  
Old 04-12-2016, 05:53 AM
Brendan688 Brendan688 is offline
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And it's off to the finisher....here is the latest batch










The big topic has been the finish. I went back and forth several times. I think the wood is awesome by itself, but a slight burst might make it really pop. It could also take a lot away from it.

Joel said that the burst was out of his comfort zone, but his gut is saying to go for it. He's been spot on so far, so I'm going for it. I'm hoping for a very very subtle burst, just a hint of it around the edge. Joel also said that the finisher could give us a preview, if we aren't happy, he'll sand it off. I'll be a bit anxious waiting for the results.
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  #56  
Old 04-12-2016, 07:32 AM
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Default My goodness man...

That's incredible...and FWIW I'm all in on the edge burst. It will bring Joels work with the copper around full circle and really...you know...tie the room together.
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  #57  
Old 04-12-2016, 12:26 PM
GeoffStGermaine GeoffStGermaine is offline
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Absolutely gorgeous! I really like the colour palette of this guitar. I can't wait to see it with some finish on it.
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  #58  
Old 04-12-2016, 03:58 PM
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Yeah for the light edge burst, the minority wins one!!!! Of course you may not like it and sand it out, so I will wait anxiously to see the final outcome!
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  #59  
Old 04-12-2016, 04:31 PM
Nemoman Nemoman is offline
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Really loving this wood combination--makes me want one of my own! This is looking totally stunning. As mentioned before, the color palette really works so well. Can't wait to see it under finish--au naturelle of course!
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  #60  
Old 04-12-2016, 07:53 PM
Ethanshin Ethanshin is offline
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Absolutely gorgeous. I don't think I've seen a neck made out of walnut before (surprisingly, considering how common walnut is among woodworkers). Visually, it's stunning. So much so that I might change my next build to a walnut neck lol. What were your reasons for choosing walnut for the neck aside from aesthetics?
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