#1
|
|||
|
|||
specs for hybrid playing on a National reso
Hi guys,
what are your specs for hybrid play (slide and fretted) on a National spanish neck reso? I'm looking for neck relief and 12th fret action measurements. Assume an open D or G tuning on John Pearse stock medium strings. |
#2
|
|||
|
|||
I like 3/32nds on the 1st string, and just a hair more on the 6th. works for aggressive slide and standard playing for me.
With that action relief has to be pretty much flat. Chording on the first five frets gets sketchy with a lot of relief for me. You may find you like some relief. Not me.
__________________
I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#3
|
|||
|
|||
Quote:
I’d highly recommend using a 15 or 16 gauge string for your high e. You’ll get a lot fuller sound with your slide. A lot of slide players like to use an unwound G string. I tried it once and didn’t care for it but it might be worth looking into.
__________________
“Good grief” -Charlie “Chuck” Brown |
#4
|
|||
|
|||
Thanks guys.
|
#5
|
|||
|
|||
I agree with the setup, but you might need to make a decision regarding compensation. High action means high compensation for fretting above the fourth or fifth fret, and at the 12th fret you'll need a fair bit to get that fretted note in tune, particularly with an unwound G (third) string, which as people say is nice to get a consistent tone with the bottleneck slide. But when you use the bottleneck around the 12th fret the notes across the slide, not needing compensation at all, will be quite out of tune, which can be a problem if you play chords with your bottleneck slide up the neck. So you get to a deal where you can either be in tune for fretted work, or in tune for slide work, but not both. There's workarounds (a heavy slide vibrato works wonders for out of tune notes...) but at the very least you should be aware of the issue. Lap style square necks are set up with zero compensation, bridge is exactly set at scale length for all strings. For bottleneck you need to kind of figure out where you need it at.
__________________
Brian Evans Around 15 archtops, electrics, resonators, a lap steel, a uke, a mandolin, some I made, some I bought, some kinda showed up and wouldn't leave. Tatamagouche Nova Scotia. |
#6
|
|||
|
|||
Quote:
But, and it's a big but, I did glue an extra piece of wood onto the saddle of my Baritone tricone to tweak intonation. Not my innovation. Pretty standard hack on baritones.
__________________
I only play technologically cutting edge instruments. Parker Flys and National Resonators |