#31
|
|||
|
|||
One of the reasons I posed this question was my experience with a new acquisition. Not needing another guitar didn't stop me from snatching up a sweet deal on a used Yamaha LS16 R ARE. I was immediately surprised by how much volume, bass and sustain it had available being an OM style. Perhaps the deeper body is the reason behind this, but reading reviews so many people opted away from the LS to the LL dread size because of their perception of the LS as being too quiet and polite. This got me to wondering how people perceive and react to a guitars inherent ability to project volume.
__________________
1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#32
|
|||
|
|||
Is volume important to you? In a word Yes.
I searched for and found the best (to me) sounding and loudest guitar I could find. Martin HD-28. I string it with mediums and I can play with other instruments and be heard. In small settings, this guitar does fine. I have used it, un amplified, to lead singing for about 50 to 100 people (I prefer amplified). It plays well with my Banjo playing buddy, and I can hold my own in a bluegrass jam. |
#33
|
|||
|
|||
Try sitting down to play with a fiddle, mandolin and banjo, see what you think about volume then.
__________________
Steve |
#34
|
|||
|
|||
I still have most of my teeth so I wouldn't be allowed to join in...
__________________
1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#35
|
|||
|
|||
Quote:
- Glenn
__________________
My You Tube Channel |
#36
|
|||
|
|||
I fingerpick mostly so volume is not a major issue with me. I mostly play an Eastman E10 OO 12 fret sitting in my recliner.
|
#37
|
|||
|
|||
Tools for the job!
I have dreads that I use for perormance and I have an "0" (Eastman E20-P) and a couple of 00s for playing at home, largely for my own pleasure. I also have a wonderful 000 by Collings. The "0" and "00" s are plenty loud enough for their purpose and being short scale with light gauge strings are easier to polay with my arthritic hands. My dreads can (and do) fill up a room if required, but I no longer play them at home for my own amusement. None of my guitars are "quiet" or dull or non resonant.
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#38
|
|||
|
|||
I like some loud because I'm often the "clock" in the group. Punchy, crisp, easily audible strums keep the timing pretty solid when we have no drummer (or the session's bassist is afflicted with the ubiquitous "thundering mush" disease).
If I wanted a REALLY loud acoustic guitar I'd look at Proulx. |
#39
|
|||
|
|||
Quote:
__________________
-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#40
|
|||
|
|||
Quote:
https://www.archtop.com/ac_48emp_921.html
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#41
|
|||
|
|||
Quote:
1973 Guild D44M - Sitka/Maple 1987 Guild JF65-12 - Sitka/Maple 2000 Martin D40 - Sitka/Rosewood 2011 Breedlove OM/SReH - Sitka/Rosewood 2017 Taylor 324e - Mahogany/Tasmanian Blackwood 2019 Larrivee 12 fret 000-40 - Sitka/Mahogany 2018 Eastman AC108ce-LTD - Adirondack/Sapele 2020 Eastman E2OM-CD - Cedar/Sapele 2021 Custom Build 12 Fret SS Dread - Engelmann/Black Walnut Last edited by FingahPickah; 09-27-2021 at 08:26 AM. |
#42
|
|||
|
|||
All else being equal, loud is nice, but its far from the most important. If you need to get into a volume war just to be heard, find other people to play with, and if you need volume ‘cause the audience doesn’t want to listen, then you’re maybe not playing well enough to make them want to -
Loud is one of the easiest things to achieve - I guess loud is important if you’re going deaf, too -
__________________
More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#43
|
|||
|
|||
This is where musicianship, dynamics and professionalism kicks in; every player in an ensemble should be aware of the others and play accordingly. When it's time for the solo they back off.
__________________
Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#44
|
|||
|
|||
A few years ago I coined a slogan for a group of jammers: "Play Softer - Listen Louder" as an easy reminder of the very same point you've made.
Last edited by FingahPickah; 09-27-2021 at 05:03 AM. |
#45
|
|||
|
|||
You sir win the internet today. Thanks for the laugh! XD!!
|