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Larrivee L-09 versus Martin 00-28
First, I ended up picking up a Larrivee L-09 that I tried close to almost a year ago. I owe thanks to Dustin Furlow, even though he doesnt know it. I've been watching him play for years and in my estimation is one of best fingerstyle guitarist here. I often think of him as "Mr. Beneteau" but he plays an older Larrivee L-09 and it sounds absolutely gorgeous in part because of his talent but hey we buy things based on our admiration of great players.
Compared it to my Martin 00-28 both are great guitars. The Martin has a certain sweetness and has been professionally set up for optimal fingerstyle play with Elixir hybrid strings (13-54). The bass response on the Larrivee is unreal, this video doesnt do it justice. In short, both great guitars. Anyway here is how they sound playing some jazz guitar: https://youtu.be/dD80WQi-wUk |
#2
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I agree, your Martin has some sweetness to it, but the Larrivee sounds good as well. I'm not a big jazz guy but your playing was very good.
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#3
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Fantastic playing as usual; you have the big strong hands and lengthy fingers of a virtuoso.
The Martin sounds more compressed, warm and sweet; the Larrivee must have a considerably larger lower bout and maybe more depth at the endpin, and sounds like a new guitar, maybe not played in yet but bigger, more expansive tonal range from bass to treble. |
#4
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Given my experience with both guitars the OP played (not the exact same ones, but same models), I would expect the Larrivée to be bigger sounding in person. Recordings don't reflect that, necessarily.
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(insert famous quote here) |
#5
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Very nice comparison. As an owner of both Martin and Larrivee guitars,I appreciate the tonal differences.
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It won’t always be like this. |
#6
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Nice!
I like guitars that add color to the tone, so I tend to prefer Martins. The Larrivees I've had a chance to play are more neutral. But staccato jazz notes suit your Larrivee. |
#7
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As for hands, I too have big hands, reasonably strong, and long fingers, arguable a good building block toward virtuosity. The difference is Grantgreen42 plays like a monster, I play like a very small insect, at best. The fingers are less important than what's behind them... -Ray |
#8
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Glad you’re enjoying the L-09, my friend! There’s definitely a cool midrange presence the l-body has that makes it sound really nice for jazz and intricate fingerstyle stuff, especially when you pick close to the fingerboard rather than the saddle where it sounds a bit twangier. I tend to play my Larrivee different than my Beneteau because the “sweet spot” seems to be right where you were playing. It’s a unique sound for sure. A new L-09 takes some time to break in but that one sounds pretty open for how light you were playing.
It’s funny you mention the influence of hearing someone play a guitar which sparks the reaction to looking into trying out a similar model, this is the first video I saw of a Larrivee that made me want to try one, he’s picking close to the fingerboard as well and it has a nice sound, IMO. I mostly gig with my L-09 because it just does every style really well. When I want to flatpick it delivers just as well as the fingerstyle stuff. One thing I’ve noticed about l-body guitar’s is their responsiveness can be hindered by a semi-high setup or action and if you use mediums it can “choke” the bass. I use light DAddario Nickels on my l-09 with semi-low action and the bass notes sustain longer than when I first got it and it was set up kind of high...you should give the Nickels a try sometime and see if they agree with you, I know Trevor Gordon Hall and Julian Lage are both big fans. I love how clear they are, they’re just a little bright for the first 15 mins or so. Thanks for the shoutout man
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Dustin Furlow -Award-winning songwriter/guitarist, Visual storyteller -D’Addario, G7th and K&K Sound Artist -Music on Spotify, Apple Music and YouTube: www.youtube.com/dustinfurlow -New album "Serene" (Oct '23) and tablature available at www.dustinfurlow.com |
#9
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Quote:
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#10
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Dustin Furlow -Award-winning songwriter/guitarist, Visual storyteller -D’Addario, G7th and K&K Sound Artist -Music on Spotify, Apple Music and YouTube: www.youtube.com/dustinfurlow -New album "Serene" (Oct '23) and tablature available at www.dustinfurlow.com |
#11
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Keep this thread going....please!!
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#12
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Thanks for the comparison. Both sound wonderful, but I loved the richness and tone of the Larrivee. Of course, your playing makes everything sound incredible.
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#13
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Thank you. Enjoying getting to know these beautiful instruments.
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#14
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I learned to play on Martins. 10 years ago I bought a Larrivee L-05 (Maple), a beautiful guitar with a very balanced, even response. It also has a 1 3/4” nut, which is the reason I rarely play it. That said when the Martin is recorded the first adjustment I had to make was to roll off a considerable amount of bass. I realize the D-35 is often referred to as “The Cannon” but I believe most Martin D’s represent as pretty bass-heavy. Not so with the Larrivee.
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1974 Martin 00-18, 2013 Blueridge BR-163, 1970 Martin D-35, 1970 Martin D-12-35, 1967 Gibson B-25, 2005 Larrivee L-05, 2013 Loar 216, 1993 Gibson Gospel, 1974 Martin 00-18 |