#16
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dull?? Well, OK maybe relative to rosewood. I've traveled the opposite way; after having two hog back guitars I've picked up two rosewood in the last month. While I currently feel that I'll never pick up one of the mahogany guitars again, that will pass. The rosewood instruments aren't better, just different, and at the moment that difference is hitting my endorphin lever. I had the same experience with my first two guitars. After being extremely happy with the jumbo I bought a parlor. For a while the parlor was all I wanted and it seemed I should throw that jumbo in the trash. After enough time had passed I picked up the jumbo and GLORIOUS!, throw the parlor in the trash.
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'99 Tacoma JM-16CE4 Jumbo '01 Olympia OP-20SWM Parlor SN 0001 '01 Olympia OD-30SWR Dread SN 0086 '01 Olympia OD-38SWR Dread prototype '86 Bacon F-style mandolin '05 Tacoma C-10 Thunderchief bass '04 Olympia OB-5 bass All of the above are all solid wood except for the laminated sides of the Tacoma Jumbo and the OB-5 which is all laminate. |
#17
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Yes, the sound of spruce over mahogany is mostly where it's at for me also. (Deeper without the complexities of say rosewood).
Would be interesting to note the popularity of mahogany compared to say rosewood over the years to see how tastes have changed if at all. |
#18
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I always said I like to hear other people play mahogany but didn't like the sound when I played it myself. But I bought a Yamaha FGX5 and love the sound and have gotten very used to it and now my non-mahogany Taylors almost seem to harsh to my ears. Weird how that is. But playing this Yamaha dreadnought does dictated my playing style as I am getting more into bluegrass style picking instead of strumming and it is the guitar itself that is pushing me in that direction.
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2021 Eastman E10SS SB 2021 Eastman E8D TC 1972 Yamaha FG-180 Red Label (Taiwan) 2019 Yamaha FGx5 2020 Yamaha AC3M Deluxe 2019 Yamaha FG800 2005 Taylor 214 Ibanez AEB10E Acoustic Bass |
#19
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I'm more of a rosewood person. The exception is an all mahogany guitar.
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#20
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I played two rosewood guitars - one cedar topped and one with spruce for years and didn't really jive with most mahogany backed guitars that I tried out. Then I ran across a few more mahogany guitars that I began to bond with. Now I have a wonderful mahogany/spruce guitar and an all-mahogany parlor. Love what each of them brings in terms of tone.
Best, Jayne |
#21
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I have always been drawn to the sound and look of Mahogany guitars, especially all mahogany. My first Martin is the 000-15 which I still own, and that thing sounds amazing. My dream guitar was always the 000-18GE after I played one in Dusty Strings years ago, and I was able to add one to my collection a few years back.
To date, one of the best guitars I have ever picked up is the Santa Cruz 1929 000. Holy crap-o-la. To my ear, they just sit where a guitar should sit in the sonic spectrum for my voice and when paired with Mandolin, Fiddle, or Banjo.
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My Therapy: Martin 000-18GE 1937 Sunburst MFG Martin 000-15 Kevin Enoch Tradesman Open Back Banjo Collings MT2-O Honey Amber Royce Burt #560 5-String Fiddle |
#22
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I feel in love with mahogany when I bought my first "real" guitar a D-15, it's tone was so sweet and the wood smells so right. When it got stolen I was heartbroken. My current collection is 2 hogs and a rosewood. The 2 hogs are definitely my favorites.
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Taylor 414ce-R / Furch RS Vintage1 Furch Rainbow GC-RR Martin D18 & Gibson J-45 |
#23
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Quote:
Welcome to the plain Jane mahogany fan club! |
#24
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I want a mahogany guitar, too.
I'm looking to upgrade from my Yamaha starter guitar to an all mahogany, but the options are confusing.
My favorite so far is the Martin 000-15m. I love the tone and the understated look. Not sure I can convince my wife to let spend $1,300 on a guitar, though. Some of the other options I'm thinking about: https://www.sweetwater.com/store/det...hestra-natural https://mitchellguitars.com/mitchell...ectric-guitar/ https://shop.fender.com/en-US/acoust...970331322.html https://orangewoodguitars.com/products/morgan-mahogany I primarily want to play fingerstyle, with some strumming, and I'll only be playing for my own enjoyment, so I doubt I'll ever be playing for other people. Has anyone had any experience with any of these guitars? |
#25
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Ah, yes - the warm, dry, gentle siren call of the mahogany guitar!
I, too, started out my journey as a sitka over rosewood guy. I loved the piano-like clarity and deep, lush, rich overtone laden sound. I also liked smaller body guitars. Then I listened back to a recording of myself playing and singing while A/B'ing two guitars, one with rosewood and the other mahogany, and found while I still tended like the sound of rosewood better while playing the guitar, mahogany sounded better when I listened to it played back. Go figure. That led to a slow change over several years to mahogany backed guitars. Well, if mahogany backed guitars sound so good then surely an all-mahogany guitar must sound really good, right? Yes, yes they do. A few 00 12-fret all hog guitars followed. Then I slowly started to question my 'small is better' stance and tried larger and larger body guitars, including a 000-18 custom which I agree with you is the Swiss Army Knife of guitars - it does it all. Before I knew it, I had completely swung to the polar opposite from whence I began this journey some 8 years ago. Back then the very first Martin I bought was a 00-28VS 12 fret double oh body sitka over rosewood. Now? I'm rocking a Martin D-1 custom 12-fret dread of all flamed mahogany. HUGE, dry, woody warmth. So, beware of the siren's call, my friend. You've been warned! |
#26
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^^ That is AMAZING.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#27
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This makes me wonder about mahogany back and sides with a maple top: that's the recipe for the Les Paul, after all, and LPs are acoustically very resonant. Wonder if Martin would do a custom spec'd that way.
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#28
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sign me up. I've got all three bases covered: sitka/mahogany, cedar/mahogany, and mahogany/mahogany. Haven't ever owned a rosewood guitar.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#29
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I've always wondered why a mahogany top is always paired with mahogany back and sides.
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#30
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I honestly don't know how much the B/S matter to the overall sound of a guitar, but most of the time the best sounding guitars to my ears have mahogany B/S...I like all hog guitars too.
If we're talking Martins, I have always preferred a D-18 over a D-28. I have little doubt I would also prefer the 000-18. And congrats! |