#61
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I honestly cant see why some dislike the Seagull headstock.
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Dave Trini2dbone Gibson learn and master guitar Justin guitar Fredrick Noad |
#62
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+1 to Simon Fay
Seagullīs head is too small (thin) for usuall guitar, there are vizual disproportion (which is main reason, why so many people "hate" it). But Iīm fan of pointed headstocks, I donīt like classic ones so much, because angle of strings makes me uncomfortable. I know that it is only not so important detail, but .... simply donīt like it And this is another Seagullīs problem - they donīt use advantage of pointed headstock, and they have angle of strings too I bet, that reason for it comed from costs side, not from design.... I like proportional harmony, which is of course very subjective thing. but I always try to have it on my guitars.... http://www.instrumento.cz/fotogaleri...bm-travel.html http://www.instrumento.cz/fotogaleri...-baritone.html |
#63
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All guitars with a properly cut nuts (except for a few with string trees) have an equally straight path from the nut to the tuner.
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon |
#64
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I guess I never gave the headstock much thought. The Seagulls I've played have always played well and sounded great, that was good enough for me.
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Seagull S6 Spruce GT Sunburst Seagull Entourage Rustic Mini Jumbo Yamaha FG-110 Red Label Epiphone Les Paul Standard Honeyburst |
#65
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I kinda like it. Makes it easier to pick out of a line up.
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Mark |
#66
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Quote:
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"Alas for those that never sing, But die with all their music in them!" --- Oliver Wendell Holmes Hear my original music at: https://www.reverbnation.com/judsonhair Last edited by Judson; 09-18-2015 at 03:38 PM. |
#67
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Quote:
Quote:
Last edited by 00-28; 09-18-2015 at 03:47 PM. |
#69
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Well, maybe we're nit picking this thing. It makes a difference if we're talking about where the string enters the nut slot or where it comes out of the nut slot.
I know exactly what the Godin people are talking about when they say the strings on a Seagull take a more direct path to the tuner than other conventional headstocks. Of course the strings on all the headstocks are straight once they pass out of the nut slot. But, once past the nut, the strings on the Martin and the Santa Cruz take a much more severe angle than on the Seagull, and it would seem logical that this could create a potential binding problem as the string travels through the straight nut slots and then is forced into a significant turn in order to angle toward the tuner. I believe this is the spirit of the claim made by Seagull/Godin and I think it makes a lot of sense.
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"Alas for those that never sing, But die with all their music in them!" --- Oliver Wendell Holmes Hear my original music at: https://www.reverbnation.com/judsonhair Last edited by Judson; 09-18-2015 at 06:21 PM. |
#70
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Because the Seagull costs $500.00 and the Traugott costs $25,000.00!!!
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#71
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Quote:
And, he has enough confidence to not have to put his name on the headstock!
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(insert famous quote here) |
#72
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I just learned that Jeff Traugott is just around the corner from Rick Turner, another great luthier. Interesting, as my brother's name is Rick!
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(insert famous quote here) |
#73
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#74
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Huh.
As someone who went directly from a Seagull (1991 S6) to a Breedlove (2011 American Series C25/SR)and who uses multiple caposI'm beginning to wonder if something is wrong with me. |
#75
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All of this over a headstock. My suggestion, if you don't like it, don't buy it, problem solved. Your loss.
I've heard the same thing about the old Blueridge design, and while they may be a little on the flamboyant side, it wouldn't stop me from owning one. I hade the same opinion of the Seagull headstock, glad I got over it. It's my go to guitar, leave out guitar, take anywhere do anything guitar.
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Some Martins |