#136
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Has not been finish carved yet, so should be OK.
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PS. I love guitars! |
#137
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OK, I take back what I said before. That's hot! I still think this guitar might be happier in my collection.
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#138
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You'll probably be in luck because Tom's running out of room in his fancy pants cabinet!
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#139
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Mr Wilborn you are a class act! The top looks absolutely exquisite!
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Life is like a box of chocolates .... |
#140
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Holy cow, Tom, that looks wonderful!! Love how the dark edges make the lighter center appear to glow. Gorgeous!!
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#141
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Love the top!
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#142
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Quote:
Quote:
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Thank you very much. Me too.
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PS. I love guitars! |
#143
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Bringing top pictures over to next page because I can!!!
finished top black lion 2.jpg finished top black lion.jpg
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PS. I love guitars! |
#144
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Thank you! This whole guitar was intended to be dark and rich, to underscore Tom's Man Of Mystery persona. (He's supposedly working on that right now) It's always a bit nerve wracking to apply a burst (at least for me) because there is only one direction you can go- darker, darker, darker. But in this case, I just love the results. The wood grain is not obscured at the edges, even though it is quite dark. Staining the actual wood brown allowed me to get the darkness without having all the pigment in the toner, and thereby obscuring the grain. And that paua is pretty sweet against the coffee bean brown. Can't wait to hear it!
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#145
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Quote:
Joel
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‘17 Two Hands Guitar Co. 000/Concert, Sitka/Brazilian Imbuia ‘17 Two Hands Guitar Co. 0000/Auditorium, Sitka/Indonesian RW ‘93 Taylor 712 (I spent 20 years trying to convince the owner to sell me this guitar) ‘95 Taylor Limited Edition GAWS (I traded my Gibson J-200 for this guitar in ‘95) TWO HANDS GUITARS |
#146
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Thank you Joel!
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#147
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There are three things I would not want to be in charge of on a guitar:
1) Drilling holes for the bridge 2) Drilling holes for the headstock 3) Burst finish
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#148
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Quote:
-undo things! |
#149
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To quote Frank Barone......”Holy Crap”
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Goditi la vita! Collings ~ Taylor ~ Martin |
#150
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Thank you. The only problem is I might have a hard time getting Ben to give this up!
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PS. I love guitars! |