#1
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John Pearse Folk by Thomastik -- yes!
I put a set of these on my Ibanez in hopes that the trebles would be easier on my fingertips than the usual plain wire -- and yes! They sound good too .
The more comfortable, the more playing, the more music, the more happiness all round. Worth every penny.
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A. Riley rebeginning after a long, long hiatus Ibanez Artwood Vintage grand concert acoustic La Patrie Motif parlor-size classical Cordoba Mini M travel-size classical Cordoba Guilele even smaller classical (so cute!) and Ohana SK20-S soprano ukelele |
#2
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Can you tell us why/how they’re easier on your fingers?
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#3
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The trebles are about the gauge of classical nylon strings, which are thicker than acoustic steel strings. The slightly thicker strings don't cut into my fingertips like wire does.
Here's the blurb from the Thomastik website: "The bass strings E, A, d are round wound on a nylon core for a big warm sound without distracting picking noises. The treble strings are flatwound nylon on a rope core and sound brighter than nylon strings. JOHN PEARSE is the perfect set for acoustic fingerstyle guitar." They have a ball end, so you can use them with bridge pins (I took the opportunity to put in bone pins). Very nice. Strings by Mail has them.
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A. Riley rebeginning after a long, long hiatus Ibanez Artwood Vintage grand concert acoustic La Patrie Motif parlor-size classical Cordoba Mini M travel-size classical Cordoba Guilele even smaller classical (so cute!) and Ohana SK20-S soprano ukelele |
#4
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I really wanted to try these, but was concerned that the plain strings (being wound) would be too 'scrapey' when playing with nails. Has this been relevant to you? If so, how've you going those first two strings?
Also, what's the tension balance across the strings like? And the 'volume' etc. Thanks
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"Discovery is as much a productive activity as creation." - David Friedman |
#5
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Aren't they classical guitar strings?
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#6
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John Pearse designed these strings when he was working for Thomastik. I’m not certain what year that was, but I’m thinking it was in the late 60’s or early 70’s.
Yes, they’re nylon strings, but designed specifically for folk music - the windings on the B and high E strings act to boost the treble response, which is often unimpressive on classical guitars, especially on inexpensive factory-made classicals. I have these strings on my all-laminated Espana guitar, which I bought at an estate sale for $30. It’s astounding how much better they make that guitar sound. Martie, I don’t play with my nails, but I do sometimes use a flatpick on this guitar, which with most classical guitars creates a fairly harsh sound, perhaps even a “scrapey” sound. But not with these strings; they sound good whether I’m using bare fingers or a pick. Naturally, I can’t guarantee that they’ll work well for you, but they’re certainly worth a try. Anyway, the primary market segment that John designed those strings for was for people playing fingerstyle acoustic music, primarily folk music styles. If I had one of those early 60’s Martin 0-16NY New Yorker models, which were designed to be played with either steel or nylon strings, this particular string set is what I would string it with. Hope this helps. Wade Hampton Miller |
#7
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Quote:
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"Discovery is as much a productive activity as creation." - David Friedman |
#8
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These strings have not been on my radar. They sound very interesting.
Anyone know the overall tension of these strings? Close to classical nylon strings? I'd like to try them on an old Aria. |
#9
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Quote:
..I use them on a vintage parlor...24 inch scale...very soft touch and yes i’d say they are very close to a standard tension nylon set....full and rich sounding...the “plain” strings...(which they are not really)...feel like nylon strings....nothing else like em.... |
#10
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I just looked on the TI website and the tension of each string ranges from 13.5 to 14.7 lbs, so well balanced and very low tension indeed.
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"Discovery is as much a productive activity as creation." - David Friedman |
#11
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After discussion with Wade I tried them on my early Takamine nylon string guitar.
It has never sounded better.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#12
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Much obliged. I'll order a set.
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#13
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Bubs -- Any strings you HAVEN'T tried?
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#14
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Gibson and SUS I think... and my new Rickenbacker has me worried.
I've never changed bass guitar strings in my life. How do I even cut them? Rick owners manual recommends changing them one at a time.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#15
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Yes and no. They can be used on either classicals or acoustics. The trebles are, in fact, steel cores wrapped with nylon. Have a set on my Lakewood. They sound quite nice and are easy on the fingertips. I fingerpick primarily, but only bare flesh -- no nails.
The problem I have with them is that the high e slips right off the fretboard (NOT out of the nut slot) sometimes -- low tension, I guess. . I have not experienced this with any other acoustic set I have had on the instrument. I like the sound and the feel, but will not use them again on an acoustic. For my LaPatrie classical, I prefer a Savarez 520P set with wound trebles -- way less expensive than the John Pearse Folks.
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La Patrie Concert Lakewood M-1 (2003) Recording King R0S-06 000 Blueridge BR-142 Recording King R0-T16 Alvarez AP66SHB |