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View Poll Results: Top finish option
Sunburst 11 29.73%
No Sunburst 24 64.86%
Subtle edge burst 2 5.41%
Voters: 37. You may not vote on this poll

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  #31  
Old 03-17-2022, 07:30 AM
bbintn bbintn is offline
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Default Morgan fade is nice

I liked the fade on this Morgan I had for awhile- never really bonded with the guitar though.
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  #32  
Old 03-17-2022, 07:45 AM
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iim7V7IM7 iim7V7IM7 is offline
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The subject of sunbursts, cutaways and slot heads will all have their advocates and their detractors. As in all things guitars, there is no consensus opinion. Sunburst advocates are in my opinion are a minority in the world of flattops which is dominated by historic Nazareth vs. Kalamazoo aesthetics. I personally like both when they are done well.

Here is an example of a well done sunburst on a guitar made for me by John Buscarino.





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  #33  
Old 03-17-2022, 09:14 AM
DCCougar DCCougar is offline
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Quote:
Originally Posted by MorrisseyGuitar View Post
This one in particular I was contemplating a Sunburst on the top to create some contrast of the perimeter pearl inlay.
I think all-round abalone binding needs a burst. I've had them both ways and definitely prefer the burst.
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  #34  
Old 03-17-2022, 12:46 PM
Stonehauler Stonehauler is offline
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I would want to show that wood off, so I would say no, but if you did go with a sunburst, I would get a transparent variety that still showed off the wood while supplying color.

But that's me...what do YOU like?
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  #35  
Old 03-17-2022, 04:55 PM
BrazGuy BrazGuy is offline
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I love sunburst tops, but pearl, IMHO, looks better on natural or aged tint tops.
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  #36  
Old 03-17-2022, 07:26 PM
Jimmy Caldwell Jimmy Caldwell is offline
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Quote:
Originally Posted by BrazGuy View Post
I love sunburst tops, but pearl, IMHO, looks better on natural or aged tint tops.
Here’s one with both.

https://i.imgur.com/yVtMldi.jpg
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  #37  
Old 03-19-2022, 07:29 PM
The Bard Rocks The Bard Rocks is offline
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It is very rare that I see a sunburst that doesn't turn me off. BUT if you have pearl or abalone, it shows off FAR better against a dark surface. I would not make any darker than needed. Avoid orangey colors. Here's a thought: the side are dark. Maybe you could match the hue and sort of have it "wrap" around aesthetically, then quickly edge off to natural. I'd have to think about this for a while before I took my own advice.
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  #38  
Old 03-20-2022, 02:51 PM
Itzkinguitars Itzkinguitars is offline
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The sunburst pattern Martin was using in 1932 is my personal favorite

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  #39  
Old 03-20-2022, 06:08 PM
Aspiring Aspiring is offline
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I picked up this Avalon D300a this year. I am mixed in preference sometimes I like bursts others not so much.

But I definitely like this one339301143.jpg
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  #40  
Old 03-21-2022, 07:51 AM
mhw48 mhw48 is offline
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Quote:
Originally Posted by Itzkinguitars View Post
The sunburst pattern Martin was using in 1932 is my personal favorite

Speaking of vintage Martin sunbursts, this is an amazing top on this oval soundhole C-1, listed for sale here on AGF. https://www.acousticguitarforum.com/...d.php?t=612084

(I am not the seller, nor am I affiliated with the seller, I just love the look!)
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  #41  
Old 03-28-2022, 07:54 AM
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What did you decide?
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  #42  
Old 03-28-2022, 09:04 AM
mr. beaumont mr. beaumont is offline
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I love dark bursts and edge bursts...

I don't care for Martin's current "guitar shaped" black to light burst, but that one from the 30's is PERFECT.
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