#16
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Well, I just bought an SJ-200 standard. I wasn't in the market for another guitar, but played one in a shop and was immediately smitten. I'm a rhythm player/strummer, and this guitar seems like it's going to get a lot of playing time in the rotation with my other mighty nice guitars.
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#17
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Gibson J-200 polarized views?
Of course. No two guitars ever sound the same despite their pedigree. My J-200 has rosewood back and sides to go with a spruce top. It did not come with the giant "tumbleweeds" pickguard, but a more normal size one. It was a limited edition in 1985 which was also a bit expensive even at that time, but has proven its worth. And is a big part of my leaving Les Paul's behind for an acoustic future. I fingerpick all my guitars using my nails as picks. Be well and play well, Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo Last edited by donlyn; 05-15-2024 at 06:30 AM. Reason: proof reading |
#18
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For a singer songwriter, check out the J45, the J200, and the Dove (not the hummingbird). From martin the D18, the D28, the Guild F55 and the Guild D50
Jumbos are great and I love them, but they need a heavy strum to get that top moving. If you are trying to do delicate fingerwork or light picking, it will sound a little anemic.
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1995 Sigma DM1ST 2019 Epiphone Sheraton II 2019 Taylor 814DLX 2022 Guild F512E - Maple |
#19
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The range of “love mine” to “don’t like ‘em” comments is not unlike the range of sound quality that I’ve found in them. Get a good one and you’re a lucky person because they can be uniquely special but be sure you’ve played a potential purchase beside some standard that you know is good before you commit.
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#20
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#21
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Charlie is right though: go play some. It's the best way.
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Windcheetah Carbon Rotovelo Cervelo P3SL Softride Rocket Trek Y-Foil |
#22
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I have owned a 1947 and a 1952 J200. Those were great guitars but I have not played a modern example that tempted me enough to bring out my wallet. As many folks have said you need to get out and play some to find what speaks to you.
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My YouTube Page |
#23
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Gibson J-200 polarized views?
Quote:
It sings siren songs to you. Be well and play well, Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo |
#24
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You can read internet opinions until you pass out, but if you really want to know what a J-200 is just order one. That's how you'll know.
I could not afford a J-200 yet but I did that with a J-100, and it's an excellent guitar. The Gibson SJ form factor is much more versatile than you might think. |
#25
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I think part of the allure of the SJ-200 is that its imperfect. A giant hulking guitar with unique appointments...and it winds up commanding the room more with its looks than its sonic presence. That's not to say that they don't sound good....as others have said, they can vary from one to the next. I find they can get really "stuffed full of socks" sounding more than other mass-produced models of high regard. I've owned an SJ-200 Western Classic that I bought off this forum, and it was certainly awesome in many ways - it was one of the few guitars that entered the house that my wife exclaimed how cool it looked.
I ultimately didn't jive with it, as it was a little lacking in something (it is a rosewood back/side model and that may explain it, since I think the classic expectation of an SJ sound comes from the maple guitars of the 50s and 60s). I have played some 1957s that seem to be about on par with the Murphy Lab ones. Its a similar vibe, quite a bit cheaper in many instances. I think they're the best modern ones of the bunch but they're around $5k new.
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Atkin - Boucher - Bourgeois - Collings - Froggy Bottom - Gibson - Goodall - Huss & Dalton - Lowden - Martin - Preston Thompson - Santa Cruz - Taylor |
#26
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2022 Gibson Custom Shop Rosewood J-45 2016 Gibson J-15 2021 Martin D-18 reimagined 2021 Martin HD-28 1935 Sunburst 2022 Martin Special 16 2003 Alvarez AJ-60e 2018 Les Paul Standard 2020 61 SG reissue 2013 Fender Mustang Bass |
#27
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I read that Pete Townshend tried out a small lot of J200's at Manny's in New York before buying the (best sounding) one that served in TOMMY and many records afterwards.
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#28
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#29
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#30
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I had an sj200 and it was one of the best Gibsons in my stable. Sadly, I had to sell it for financial reasons. But, it was an awesome strummer and finger picker. It could be soft or loud. Don’t listen to the Gibson Bashes. Take it from someone who has firsthand knowledge. You won’t be disappointed by purchasing a SJ200.
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Taylor Grand Pacific Builders Edition 717e Breedlove Oregon Spruce/Myrtle wood |