#181
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Here's a guy playing an Electric Guitar. I thought the target market was mainly vocalists...
http://www.bagamp.com/index.php I think I've been clear about making up my mind about the BagAmp, based on (lack of) features, which is NOT speculation, and I disagree with what you say, but will defend to the death your right to say it (lessee now, who else said that....) Hey, trying a SoloAmp OR a Bose should be relatively easy by now, so search your local music store for enlightenment. Quote:
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"Flamenco Chuck" http://www.FlamencoChuck.com Me, ca. 1980: http://www.youtube.com/watch?v=gL7wL5m1xIg Jerez Bulerias: http://www.youtube.com/watch?v=rVxUe5hA_yw Last edited by BuleriaChk; 01-14-2010 at 11:30 PM. |
#182
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Actually, though, I realize that I have kind of hijacked this thread. I am now outta here, unless someone draws me back in, and I have to defend myself with my usual blazing wit and charm.
Ciao, and enjoy your amps, whatever they are......
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"Flamenco Chuck" http://www.FlamencoChuck.com Me, ca. 1980: http://www.youtube.com/watch?v=gL7wL5m1xIg Jerez Bulerias: http://www.youtube.com/watch?v=rVxUe5hA_yw |
#183
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Quote:
The Vox AC-15 amp by ANY standard in the industry is virtually featureless. I'm thankful I wasn't foolhearty enough to subscribe to that mindset. When I settled on an AC-15 all those years ago it was in the middle of the Steve Lukather refridgerator rack days. I plugged into this tiny little 15 watt amplifier and FROM THAT MOMENT began my plotting as to how I was going to "adjust" my style and ditch my rack so that I could incorporate what (IMHO) is the single greatest sounding guitar amp ever produced. To this day I've never heard an amp I like better while the AC-15 still remains....featureless. Making audio decisions before hearing something (no matter the feature set) will at some point limit your ability to expand your toolbox. |
#184
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Quote:
Since you brought up the tweeter, if the SoloAmp is capable of creating a line array effect, it would only be able to accomplish that up to 4 kHz, the crossover point of the tweeter. Above that, all frequencies are reproduced by a single driver so there is no line array effect for the upper frequency band. Furthermore, the placement of the tweeter may disrupt the line array effect by creating too much of a physical separation between two of the woofers. The Bose, SoloAmp and BagAmp all have rather different designs. The Bose L1 Model II is a two cabinet design; one with 24, 2.25-inch speakers; the other with a pair of 5.25-inch speakers using a 180 Hz crossover point. The SoloAmp is a single cabinet design with 6, 4-inch speakers and 1, 1-inch speaker using a 4 kHz crossover point. That BagAmp, also a single cabinet design, has 8, 3-inch full-range drivers. Likening such disparate designs to different brands of wire is inapt and much more simplistic than one would expect from you. |
#185
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Some day I hope to understand why these sound systems stir up so much emotion. These "stick systems" seem to evoke a vehemence, either for or against, that I don't sense with other gear.
I try to look at them as different vehicles to get music to people who might enjoy listening to that music but I admit that I can sure get passionate in the defense of my Bose. I recently had what I thought was the beginning of a good professional relationship with a rep for a company whose products I use, love and tell everyone about. He even invited me to join him in the booth at the NAMM show if I could make the travel work. But once he found out I use his products through a Bose system he cut off all communication! Like I said, there is something about these systems.... Matt |
#186
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It's almost like we are making people play graphite guitars. Oh my.
I agree there are many amps people and discuss use without causing this same rancor. The same thing happens when an acoustic guitar company makes an electric. Some go nutty. Really what is the problem with change? I am glad there is more than one portable PA. |
#187
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Very interesting and accurate point Matthew! I bet many of us have had the same thought.
On the Bose board, there's a very nice guy, good friend of mine (we've even performed together!), who has made a point, TWICE, of saying that he thinks the Solo "looks bad", and that the Compact "looks so much better, classier" - pretty much annoys me, but I refuse to mention the Solo over on that forum - it's not worth the crucifixion. (Yes, I think completely the opposite! :-) I just KNOW that my Solo, and pre-amp rig, and guitars sound and look great, for me, and I'm delirious with what I have. I am happy to speak in favor of my choices and why I made them, when appropriate. Life's too short for anything past that... arguing with people on the internet I'll probably never meet is not high on my list. Best, Mike |
#188
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Well I personally think the SoloAmp is the better looking of the three and I'm gonna go to the Bose forum to tell them so!
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BoB/335 http://soundcloud.com/acousticskyline http://soundcloud.com/mile-stone http://soundcloud.com/bob-335 |
#189
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Delete Post???
Last edited by MikeTX; 01-15-2010 at 02:28 PM. Reason: Delete Duplicate |
#190
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HA! You'll be a HUGE hit over there, with that!
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#191
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Bob, there is no way the Bose L1 is not more attractive than the SoloAmp. Especially after I knitted a 6' long, 4" diameter sweater with buttons the covers the speakers on mine. And did I mention the derby?
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-Mike www.montaramusic.com https://www.instagram.com/mikemccall_guitarist/ https://www.facebook.com/Mike-McCall...-250327412419/ A few guitars, a uke, a banjo and a cajon |
#192
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I think all 3 look cool ..Bose, SA, BA..(especially in and around my humble abode) and I use wood and carbon fiber guitars and all sorts of none plastic and metal and whatever keyboards and things ..no ivory or strings.. and electronic hand drums and wind controllers and real flutes and saxes... guess I am sorta non denominational or just a generalist of some sort.
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#193
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Quote:
Jenn |
#194
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Too bad about the mixer, I've been waiting for your report on that and the sub. I've already asked a music store to save a sub for me when they come in. It's good to hear a little reassurance that I made the right move.
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Music page: www.soundclick.com/jimfay -- Videos: http://www.youtube.com/JimFayVideos |
#195
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I can imagine the BA sub will be a nice benefit.. I put a keyboard stereo into a Mackie mixer ... right side into one channel with it's own EQing and into the BA and left into another channel and into a Roland Cub 100 bass amp and I like it a lot more with the bottom. I'll do some acoustic guitar and some sax and horns (via WX5 and VL70m Patchman chipped) later after some other guys do some testing today.
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |