#196
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Piña with finish
I have the Piña with finish now and I'm very please how well the woods popped!
More pictures to follow as we go through final decisions and I get the guitar strung up. Thanks for following! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#197
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Pure class !
.. and style and beauty !
Jawdropper |
#198
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On my goodness....that’s a stunner!
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#199
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Thanks Lonzo!
Thank you ukejon. I was tickled to see how well the fretboard goes with the top. Originally we were considering going with Gotoh X-finish in nickel but the gold in the Cocobolo, Redwood top, and Koa trim really screams out for gold tuners. For the last couple months I have been building up my stock and variety of tuners. The pillow-top sculpted headstock was designed with Gotoh 510 minis in mind so that narrows it down to Gotoh gold minis. My success at building out my stock allowed for three options in gold: Initially I liked the idea of using the satin X-finish gold: Once they were on though I felt the X-finish antique gold and the metallic gold finishes were better choices: The metallic gold was decided on. Next is what buttons to use? Stick with the gold button or go with lighter weight custom wood button? First off, since I make the buttons we have unlimited choice. Besides the lighter weight, I feel my very comfortable round buttons go better with the headstock design. Sapwood capped Cocobolo is a good choice but maybe sapwood capped Koa would be better. We'll work this one out next week. Thanks for viewing! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#200
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Mark that is a stunning looking instrument. Beautiful work!
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#201
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Yow!!!
Spectacular beauty!!!
Others here may know this already, but I recently experimented with full-size buttons on Gotoh Mini 510 tuners. They work great, they just need the long screws. I was happy about this, as I find the miniature buttons difficult to work with when doing a complete re-tuning, especially on stage. The subtle pillowing of this Headstock is really nifty! Gorgeous work! Congratulations Paul
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4 John Kinnaird SS 12c CUSTOMS: Big Maple/WRC Dread(ish) Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC Big Tunnel 14 RW/Bubinga Dread(ish) R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#202
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Beautiful work, love that truss rod cover.
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Collings Baby Collings 01 Bourgeois OMC Martin 00L-17 Martin D-18 Gibson L-00 Gibson J-45 Last edited by FGBR; 11-09-2019 at 03:10 PM. |
#203
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Thanks Aspiring! It is coming along really well. I can’t wait to get strings in it.
Quote:
Thanks for commenting! Thanks FHBR! That truss rod cover is a bit more work on this design because it is sunk down into the headstock overlay. I do this so there is enough clearance underneath the strings that you can remove the cover without having to take the strings off. Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#204
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That is another nice looking guitar from you, Mark. Your personal aesthetic reflected in your guitars seems to match mine on a regular basis.
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=================================== '07 Gibson J-45 '68 Reissue (Fuller's) '18 Martin 00-18 '18 Martin GP-28E '65 Epiphone Zenith archtop |
#205
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Exactly, and the entire headstock has such a beautiful 3D landscape. Well done
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Collings Baby Collings 01 Bourgeois OMC Martin 00L-17 Martin D-18 Gibson L-00 Gibson J-45 |
#206
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Quote:
I got the Cocobolo bridge made and glued on today: I do keep getting distracted by the figure of the Redwood top!: Cheers, Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#207
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Those really are some crazy, cool woods, Mark.
That fretboard is insane! Really beautiful work--hope we get to hear this one before she ships out.
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2013 Stehr Auditorium (Carpathian/Myrtle) 2015 Stehr Auditorium (Adi/BRW) 2020 Baranik Meridian (Blue Spruce/Manchinga) 2020 Wilborn Arum (Tunnel 14/Coco) 2021 Kinnaird Graybeard (BC Cedar/Bog Oak) 2022 Kinnaird CS Student Build (Adi/Padauk) 2023 Kinnaird FS (Italian/Koa) |
#208
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Quote:
Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#209
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Quote:
I can almost see Harry Potter's Sorting Hat in the figuring of that top!!
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1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup 2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup 2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup 2022 Yamaha SLG200S Silent Guitar |
#210
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Quote:
Besides all the figure there are a couple of other dimensional features on the guitar. I'm happy with how the 3D rosette catches the light and I like the sapwood highlight as well: You can see in the picture above I worked the same sapwood highlight into the Koa fret markers to give them the illusion of a rounded look. I also chose some sapwood highlights for the sound port Koa: When it came time to consider the tuner buttons I designed a new puffier round button and naturally they need to be Koa and let's cap them with sapwood while we're at it: Thanks for viewing Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |