#16
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They are the same because I matched the level which is quite easy to do with white noise vs actually playing. Also it was a recording of white noise which is why the signal would be the same. But if there really was a difference of tone due to the difference between balanced and unbalanced the wave forms would look different. The impedance would not change the tone in this application. The mic inputs on a Mackie are 1.3kOhm on the mic channels and 10K on the others. These are proper impedances. My Mackie mixers will have less output running unbalanced vs balanced as well. There is no difference in sound, you just need to run the output higher.
I don't know why people are so skeptical. It's more a gain staging difference than a tonal one. Has anybody been able to say how the tone is actually"better"? More highs, more lows, less mids, more mids? |
#17
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#18
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Level does have an effect on how we hear, so that could explain what you're hearing (in combination with the extra noise and whatever effect the TS cable you used had on the tone). But get the gain staging right, use a good cable, and set the final level where it needs to be for the gig and it should sound otherwise the same as as the TRS-XLR method. And for long cable runs, it's best to use the TRS-XLR or a DI box anyway. Louis |