#1
|
|||
|
|||
Alternate Tuning Question of the Day - Thursday edition
I spent yesterday practicing everything tuned down a full step, un-capo'd and also capo'd at various positions of the neck, comparing the sound for ease of singing along. It was so much fun, now both of my guitars are tuned down a full step!
As I was practicing, tuned down a full step, capo'd at 2, etc., it occurred to me that I had unintentionally created a 12 fret guitar for myself. So, question of the day, and I may already know the answer, but... If I were playing a 12 fret guitar in standard tuning would it sound the same as a 14 fret guitar, tuned down a full step, capo'd at 2, to bring it back up to an "E to E" tuning? 12 fret in standard no capo vs 14 fret in D to D, with a capo on 2 I think not, because the thing that is still different between the two is the string tension. A 12 fret guitar in standard tuning should sound the same as a 14 fret guitar in standard tuning because the strings would be under the same tension. If I tuned down a 12 fret guitar to D to D, then capo'd at two, it would have the same effect as doing that on a 14 fret. Yes? No? Partial credit? Thanks! |
#2
|
||||
|
||||
Capo creates a shorter scale but…
maybe without the benefit of the reduced string tension. Your 14 fret guitars scale will be 2 inches longer, and then the capo’s pressure will also increase the tension a little.
For years I preferred learning songs with the capo on 2, I just could play shapes more clearly. I later discovered the reason I liked it was because the fretboard at the second fret is a little wider than it is at 0, so I think if you measure the fretboard at 2, look for a 12 fret with that nut width and then you can have the lower tension associated with playing without the capo- wider spacing of a capo on 2 and the lower end resonance of the bridge being more centrally placed in the lower bout. |
#3
|
|||
|
|||
Quote:
</thread>
__________________
Martin:1956 00-18, 1992 D-16H, 2013 HD-28, 2017 CEO-7, 2020 000-28 Modern Deluxe Santa Cruz OM/PW, Larrivee OM-03R, Taylor GS-Mini Mahogany, Taylor 356CE, Fender American Professional Stratocaster, MIM Telecaster, Gibson Les Paul Studio, Epiphone ES-339 Pro YouTube Channel | Listen to my stuff on Spotify/Apple Music |
#4
|
|||
|
|||
This guy stole my response.
__________________
Martin D18 Gibson J45 Martin 00015sm Gibson J200 Furch MC Yellow Gc-CR SPA Guild G212 Eastman E2OM-CD |
#5
|
|||
|
|||
Obviously, different sounds from different guitars... perhaps the word "equivalent" would have been better? Do I need to buy a 12 fretter now so I can introduce another variable into my sonic experiments? (Answer: Of course!)
And then if you tune a 12 fretter down a full step and capo it at 2, you get a 10 fret guitar. I see where this is going! |
#6
|
|||
|
|||
Quote:
The other effect on feel is the closer fret spacing. IOW, if you had very small fingers, so that stretching was a common problem between frets 0-2, then you could solve that problem (or at least reduce it a little) by this method. And you could fit heavier strings to bring the tension back to normal (if the looseness was a problem, e.g. for fret buzz or intonation). All you would sacrifice would be those two frets up at the body joint. And of course, all your fret markers would be in different places, so negotiating the fretboard might take a little getting used to... But then, of course, you gain the two extra frets when you take the capo off! I.e., it's definitely worth taking standard tuning as merely that: "standard". Normal, run-of-the-mill, one-size-fits all... Experiment with all kinds of alternative tunings (not just standard down or up), as well as strings guages and so on, to make the instrument suit you as much as possible. Customize it! (Tailor your Taylor... ) You have nothing to lose - except a close connection with other guitarists! If you are always going to be a solo performer, that's of little or no account.
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen. Last edited by JonPR; 04-13-2023 at 10:30 AM. |
#7
|
|||
|
|||
You would find differences in the tone and the feel, and I definitely encourage you to try out 12 fret acoustic guitars. In the vintage world, the Gibson HG-00 and Roy Smeck models were designed as Hawaiian guitars and the necks are quite massive and the nut is wider. They are steel string guitars and many have been converted from Hawaiian to Spanish setups.
Many other vintage 12 fret models are not true steel string guitars, only a limited number of Martins would match that description. |
#8
|
|||
|
|||
Q: Do I need to buy a new (insert guitar type or model here)?
Official AGF Answer: Yes you do.
__________________
Guitars: Waterloo WL-K Iris AB 1990 Guild GF30 Bld Maple Archback Alvarez AP66 Baby Taylor G&L ASAT Tribute T-style |
#9
|
||||
|
||||
Here I go again.
Doesn’t a 12-fret guitar just have the bridge two frets farther down the lower bout? If all else is equal other than the number of frets to the body, it’s the same scale length (nut to saddle), right?
__________________
1952 Martin 0-18 1977 Gurian S3R3H with Nashville strings 2018 Martin HD-28E, Fishman Aura VT Enhance 2019 Martin D-18, LR Baggs Element VTC 2021 Gibson 50s J-45 Original, LR Baggs Element VTC ___________ 1981 Ovation Magnum III bass 2012 Höfner Ignition violin ("Beatle") bass |
#10
|
|||
|
|||
Yes that's correct , some 12 fret guitars are short scale just as some 14 fret guitars are also short scale but for some reason 12 fret and short scale have got equated in some peoples minds.
|
#11
|
|||
|
|||
Every 12-fretted I’ve ever seen, the shift moves the bridge closer to the center of the lower bout.
I suspect that has more to do with the sound change than does the scale, but the build of the guitar will have even more of a change. If you enjoy it, do it. I’m VERY fond of playing “in D” at capo 2. |
#12
|
|||
|
|||
Do I need to buy... it's always a rhetorical question around here. "Need?" probably not. "Want?" Absolutely!
|
#13
|
|||
|
|||
Quote:
|
#14
|
|||
|
|||
Quote:
|
#15
|
|||
|
|||
My understanding yes. Shifting the bridge back changes bracing ect. Pretty sure the guys that are into the 12 fretters are sacrificing the two frets of access for the tone they get by having the bridge deeper in the lower bout. It's a tone thing rather than an exposed fret thing.
|