Quote:
Originally Posted by rockabilly69
And sometimes the oddest combination of things work. Alot of people pan Drawmer 1960 preamps/compressors for being too dark and the compressor too slow, but when I use the 1960 with the often misaligned Rode NTK microphone, which people say are ridiculous bright/harsh, I love the recordings I get. Searching for those magic combos adds a fun hobby element to my profession and keeps me interested.
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The NTK works very well for my vocals. I am not so serious hobbyist and I’ve only paired it with the FMR RNP and some mild compression with the RNC and really liked the result. I currently use it with an Apogee Duet and I think it sounds better.