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Old 11-23-2020, 07:52 PM
Dave Richard Dave Richard is offline
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Join Date: Jul 2015
Location: Central Vermont
Posts: 37

I believe Johnny Smith specified the trapezoidal soundhole, when discussing and ordering the guitar from Epiphone. I’d guess he wanted to try combining the parallel tone bars, with a ‘centered’ soundhole that would fit. I myself am very curious about how this design sounds. A standard round hole prevents the use of parallel tone bars(not truly parallel, of course), requiring the use of x-bracing, or Gibson’s h-bracing, or Epiphone’s own unsuccesful(IMO) use of reverse-splay tone-bars.

This design did not apparently satisfy Smith, because he ended up with the Gibson made, Smith endorsed JS model, which I believe is x-braced. He wanted some of that flattop tone, in his archtop.

Last edited by Dave Richard; 11-23-2020 at 08:00 PM.
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