Quote:
Originally Posted by Steve DeRosa
Still have my old NYC-built original from back in the day - IME I'd start by setting it up for some Santana-tinged tones (FYI it's very easy to push that hollow body into the uncool feedback zone , so be careful) and take it from there...
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The Electro Harmonix Deluxe Big Muff Pi was fun for a while and would be a worthwhile addition to a pedalboard but now I'm back to just plugging the Gretsch into the Fender and enjoying the nice tones the Filter'Tron pickups are putting out.
Steve, I'm wondering if Fender, after acquiring Gretsch, has returned the latest version of the Black Top Filter'Tron pickup to alnico magnet construction after the Baldwin years of owning Gretsch used ceramic magnets in many Gretsch pickup designs as a cost-saving measure?
A Guide To Filter'Tron Pickups
From the above link:
The 1970s were an unpopular time in Gretsch history, with Baldwin obtaining ownership of the company from 1967 to 1985. The period is highlighted by a dramatic decrease in sales, unpopular designs, and an overall decline in quality.
During this period, the recipe of the Filter’Tron changed various times, too. Magnets changed to ceramic, and the covers and pole pieces also evolved. A number of pickups of differing quality also began replacing the Filter’Tron altogether, such as the Blacktop Filter’Tron, HiLo’Tron, Mega'Tron, Super'Tron, and other iterations bearing the 'Tron name.
When Fender took charge of Gretsch recently, many of the Filter’Tron specs attempted to return to the original ‘50s models, such as with the return to alnico magnets.