Quote:
Originally Posted by jim1960
I recorded a cd during 2000 in a small studio in someone's home. He had some version of Pro Tools and it did allow for comp tracks but they weren't easy to do. There were no quick and easy crossfades and every comp section required hand drawing to get rid of the pops. The pencil tool wasn't always cooperative and it was quite tedious. But it was also fascinating to me and eventually led me down a very expensive road.
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That was most likely Pro Tools LE v. 5 ....... In the mid 90s and thru the early 2000s, Pro tools was one of, if not the most, advanced reliable , user friendly workflows and feature rich, "audio editing" softwares, and why it became ubiquitous in pro recording studios
Thru a quirk of destiny in late 2002 or maybe early 2003 I got the chance to record in very high end (we are talking cover of Mix Magazine) Post Production facility in midtown Manhattan running a TDM system , for free .
And yes fascinating and a bit overwhelming and led me into getting a Digi 002 in the summer of 2003 ( which was version 6 and as I understand it a pretty big step in increased audio editing and newer looking GUI .