Since practical advice on voiceleading and the importance of context has already been offered, I'll just throw in a few of my favorites. See if you can find how they move to or from other chords.
B+#9:
B^6:
(for one famous usage, see
https://youtu.be/htc7nJDyg_A?t=1m39s)
Bm69:
or
B13(b9):
Bm9:
or the more common
B^9(13):
(the only voicing I could find when learning
https://www.youtube.com/watch?v=rnv1qdi-lx0)
Oh and, recently, whatever this thing is:
- I think it's a B9b5 with the 3rd omitted (76766x) but I like using it in place of the F# augmented chord.
One thing to notice is how little-used the unaltered 5 is in jazz voicings. This is especially true on guitar, where it's usually the first thing to go when building a chord with multiple extensions ("color" notes, above the 7th). Also, basically everything in jazz has a 7th, whether dominant, major, or diminished.