[Gordon Currie]

I've used some of these microphones on single sources, never on multiple - hopefully someone has used them in that way and can comment.

More important to me is the question of your recording space. How does it sound and are you controlling for bass buildup, nodes and nulls?

Using more distant miking will insert more room sound into your recordings.

I enjoy the Milk Carton Kid's approach, but on a stage they don't have to worry as much about room sound as you would in a (presumably) smaller room.

Most of us with small spaces need to do significant bass trapping and diffusion, as well as close miking techniques, to reduce the negative effects of room sound.

If you have a good space, then all this doesn't apply...