Quote:
Originally Posted by nootis
That is a simple and clever solution. However, to me, the rest of the process seems very complex. I've never even heard of Chladni modes until now.
It is a wonderful enlightening thread though, and I look forward to learning more.
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That is exactly why I post threads like this...
Luthier's work in very different ways to achieve a common goal (a great sounding, easy to play, beautiful to look at, structurally sound guitar). Regarding Chladni, Mark learned the basics of this from luthier Al Carruth's "Free Plate Tuning" course >24 years ago. Since then, he has developed his own approach to using these to achieve consistency in his guitars.