All this advice is good. I have K&K's in four guitars, and I play them through a Tonedexter with good success. But I don't play with a band and I rarely have to crank the volume into a range where feedback is an issue. I think a lot of this is variable depending on venue, style, and the particular guitar.
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2003 Martin OM-42, K&K's
1932 National Style O, K&K's
1930 National Style 1 tricone Square-neck
1951 Rickenbacker Panda lap steel
2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's
1957 Kay K-27 X-braced jumbo, K&K's
1967 Gretsch 6120 Chet Atkins Nashville
2014 Gold Tone WL-250, Whyte Lade banjo
2024 Mahogany Weissenborn, Jack Stepick
Ear Trumpet Labs Edwina
Tonedexter
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