12-30-2020, 09:16 PM
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Registered User
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Join Date: Mar 2013
Location: Staten Island, NY - for now
Posts: 15,062
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Quote:
Originally Posted by Mandobart
First off - you're spending the money to get a mandola. Why not learn how to really play it vs just fake it? I'm from the bluegrass world. Most of us are multi-instrumentalists. If we can figure out fiddle, mandolin, guitar, banjo and bass you can too.
Second - your 'dola tailpiece probably takes loop end strings. If you're not going to use standard tuning you can't use pre-packaged sets - you'll need to put together your own custom 8 string loop end sets to have the proper tension.
Third - once you get used to the simplicity and symmetry of 5th's tuning you'll love it. You'll wonder why more guitarists haven't adopted it.
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- The only one on the list that I don't play is fiddle (figured 'em all out long ago - and yes, I can play legit mandolin and doghouse bass), and just as some obscure 17th century lute player decided one day to tune his third course to G rather than F#, or modern fingerstyle players use alternate tunings full- or part-time to create certain sonic textures, I enjoy the possibilities (not to mention the convenience) guitar-based tunings provide; since the OP is primarily a guitar player who intends to use the mandola as a texture rather than a solo instrument, and voiced some concerns about both the tuning in fifths and the associated learning curve, alternate tunings provide a viable option IMO
- That's a given, and I wasted a lot of time/money when I set up my first tenor banjo in Irish GDAE 30 years ago (another non-standard tuning, BTW) until I found I could buy properly-gauged strings in bulk - been doing it ever since for all my instruments, and I keep a good supply on hand so I'm never caught short
- My earliest background was in jazz; while I have no problem accessing wide-spaced chord voicings (using either skip-string picking/comping a la Johnny Smith, or fingerstyle), tuning in fifths, although highly effective for single-line/double-stop and bluegrass "chop" chording, doesn't allow for the close internal voicings I favor without large stretches - and as with much else in life, just because I can (I have a six-fret span in first position - seven frets on shorter-scale guitars) doesn't mean I should...
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