View Single Post
Old 03-24-2013, 11:52 AM
Howard Klepper Howard Klepper is offline
Registered User
Join Date: May 2008
Location: Earthly Paradise of Northern California
Posts: 6,472

If someone said to me that he or she wants a "modern" sound, I would not think without a bunch of further discussion that I knew at all what was wanted. I've heard the word used to describe guitars that I consider to be on opposite ends of the tonal spectrum (e.g., Somogyis and Taylors). "A modern interpretation of the vintage sound" would just muddy the waters with an oxymoron.

In the discussion of Juston's Kraut, I saw a few people call that guitar "bright," when to me it was the opposite (from what I could hear). I would have called it dark.

I try to steer the tonal discussion to terms that have some objective meaning, such as frequencies, treble, midrange and bass, fundamental and overtones (although these get misused, too), attack or rise time, and sustain. I also find it very helpful to ask people which maker or manufacturer's guitars they like and dislike, and why. That can tell me a lot about how they use the language.

I am confident that John will build a great guitar; he is an outstanding builder. Whether he will build a guitar with a "modern" sound or a "modern interpretation of a vintage sound" as Juston intends those descriptions, I have no idea.
"Still a man hears what he wants to hear, and disregards the rest."
--Paul Simon
Reply With Quote