View Single Post
  #5  
Old 02-12-2017, 02:58 PM
bayoubengal bayoubengal is offline
Registered User
 
Join Date: Jun 2004
Location: New Orleans, Louisiana
Posts: 657
Default

Quote:
Originally Posted by Steve DeRosa View Post
I'm not surprised you're not a fan of the 5th Avenue acoustic tone as it comes from the factory - neither was I when I first bought mine; unless you're playing strictly Gypsy jazz ditch the light-gauge strings in favor of 13's (or heavier - I'm using PB 14's on my acoustic, flatwound 13's on my CW II) - you'll notice a major improvement in both tone and volume, and I've (actually, one of my former students) used mine in front of a mic with excellent results...

B.B.:
If you're doing Travis picking/playing up the neck, in the grand scheme your needs might be better served with the twin P-90/single-cut CW II. While it's first and foremost a traditional jazz/blues/roots/rockabilly box in the mold of the early-50's ES-175D - meaning it's not exactly a first choice for miking - you can get a passable acoustic tone (similar to a dread/small-jumbo with a magnetic pickup) with a set of roundwound or (better still IME) half-round 13's and some careful EQ tweaking at the amp (FWIW I'd only use a dedicated electric-guitar amp - preferably with as few bells-&-whistles as possible - with this one)...

Finally, given your age (hey, I'm 63 myself) and tastes in music, I'm kinda surprised Gretsch isn't on your radar - a big mistake IMO, since their present MIK Electromatic 5400/5600 Series are some of the highest-quality, finest-playing/sounding instruments they've ever made; FYI I'm an ex-Brooklyn boy who grew up on Gretsch - I was a fan long before the Beatles arrived, my grandparents lived three blocks from the old 60 Broadway plant, I still have the copy of the '63 catalog (and the '64 Double Annie) I got as a kid in my collection, I've probably played a few hundred originals over the last 55 years, and I bought a new 5622T-CB last May - so this is not a statement/judgement I make lightly. In addition to "That Great Gretsch Sound," nothing else looks like a Gretsch - and if you've ever had a jones for a mid-60's Tennesseean, Nashville, Country Gent, or White Falcon, you can scratch the itch without it costing an arm, a leg, and a couple other valuable appendages :

https://www.sweetwater.com/store/detail/G5420TORNG
https://www.sweetwater.com/store/detail/G5622TVO
https://www.sweetwater.com/store/detail/G5422TGWS
https://www.sweetwater.com/store/detail/G5422TGSNWH
I use only 13s on my flat tops because I tune a half step down and the lights feel "floppy" to me so that is good info to have regarding the acoustic tone of the 5th Ave. with heavier gauge strings!

Thanks for the tip on the Gretsch models. The only thing holding me back may be the purely personal taste of a traditional non cutaway shape, but it is not necessarily a deal breaker. Thanks for your time on this!
__________________
1974 Martin D-28 (A gift for my 20th birthday from Mom and Dad)
"Frankenstein" 1948 Gibson J-50 Body/1938 L-00 Neck
2008 Martin 000-18 Norman Blake
2006 Jubal Jumbo
2016 New Era Crooked Star Prairie State Jumbo
2016 New Era Crooked Star Senorita
2020 Iris Smeck
1972 Guild Killdeer F112-6 Part Deux
Reply With Quote