Quote:
Originally Posted by goldhedge
By placing mics in different areas of the room, they each pick up a different harmonic tonality and 'report' their findings to the machine. Blending the different inputs creates what the ear already 'hears'.
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Um, what that is is phase cancellation more than anything and a smeary mess. Fiddle is difficult, though, and the one thing you don't want is one of the many cheap chinese condenser mics that already have a nasty little edge on 'em.
A dynamic hypercardioid like a Sennheiser MD441 will tame the screech, so will a ribbon or a schoeps cmc641.
Regards,
Ty Ford