Quote:
Originally Posted by mr. beaumont
The ones with f-holes!
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If we're talking all-acoustic here:
- Super 400 non-cut
- Super 300 non-cut
- L-5 (post-1935 Advanced) non-cut
- and as for the ones you gotta plug in:
- ES-5 '49-54 (four-knob/P-90's)
- ES-150 (post-war 17"/P-90 - a true dual-purpose acoustic + electric)
- '69 Crest Gold (BRW w/mini-buckers)
- and the ones without soundholes:
- '61 LP Custom (final edition single-cut: 3 PAF's/"gold-dome" knobs/Slim-Taper neck)
- '63 SG/LP Custom (in white - arguably the classiest SG Gibson ever made)
- '66 EB-3 (the "Jack Bruce" model)
Quote:
Originally Posted by H165
...Someone should ask the same question about Epiphone...
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You just did...
New York-era acoustic:
- '41 Emperor
- '39 Deluxe
- '47 Triumph
New York-era electric:
- '49 Zephyr non-cut
- '50 Deluxe Regent 18" w/Tone Spectrum pickups (Epi's even-rarer answer to the rare L-7CED)
- '53 Emperor Zephyr Regent
Kalamazoo-era acoustic:
- Texan
- Frontier
- Excellente
Kalamazoo-era electric:
- Emperor thinline (the "Carl Perkins" model)
- Al Caiola Custom
- Riviera 12-string (the "Carl Wilson" model)
Pac-Rim acoustics:
- MIJ '90s '39 Emperor reissue
- MIK early-2K's Emperor Regent all-acoustic
- MIK early-2K's EJ-200 non-cut
Pac-Rim electrics:
- Elitist Byrdland
- Elitist Sheraton
- Elitist Broadway