Quote:
Originally Posted by Bob Womack
For example, a classical player typically rarely thinks in terms of chords, thinking instead of individual strings, where a fingerstylist often does.
Bob
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I agree. That may be because many fingerstylists first began learning from a chord based scheme, where classical training starts with notes I suppose. I don't think in terms of chords anymore while learning a tab, but about 50% of the time my own composing starts off based on a chord/triad