Quote:
Originally Posted by Beakybird
If you have any ideas about hammer ons and pull-offs that you can do anywhere on the fretboard, that would help me.
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The only chordal hammer-on I'd do (that I can think of) is that Keef-cheat G shape, with the possible hammer-on on strings 4-2.
Otherwise, hammer-ons for me are single string things, the same anywhere on the fretboard - ie. part of solo lines, not chords (excepting Hendrix-style double-stops, which I think of as based around chord shapes, but don't require the actual playing of the chord).
Sometimes partial versions of those chords offer hammer-on or pull-off opportunities - you need a spare finger naturally, which is the problem!