Quote:
Originally Posted by Silly Moustache
Hi,
I seem to have developed a method of bringing the melody out of the chord shapes.
Below is a fair example of how it works for me.
See the short break after the second verse.
Now - things can change when I'm playing with my trio - so now look at this version where I play more single notes because I have the bass and mando supporting me :
|
Very well done tune! Thanks.
__________________
RM
-----------------------------------------------------
Taylor 856, Taylor GC7, Martin 00-28, Breedlove Oregon Concertina, Breedlove Jeff Bridges Signature, Guild JF55-12, Guild D212, Larrivee OM3, Eastman E20 OM, Farida OT22w, Cordoba Fusion 12 Orchestra, Blueridge BR-361, Pono 0-15 mango, Journey OF-660, Tanglewood TWJP parlor (Nashville tuned), Paul Reed Smith SE Custom.
|