Quote:
Originally Posted by Bruce Sexauer
I have five coats of oil varnish on the maple ES at this point, but it looks about the same so I haven't bothered with new photos. It'll probably see strings is about a month and be delivered in time to be somebody's Christmas present.
Yesterday I started a new guitar. This one is a classical guitar made from D. tucurensis topped with Italian spruce. Interestingly, the customer created their own template which I am using as faithfully as possible. We worked through earlier drafts till it got to where I thought it would work, but it is certainly their design rather than my own. I wonder if it will sound other than my previous several?
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Nice! What kind of variations are we talking compared to your closest sized model?
Do the differences go beyond just the measurements?
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1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup
2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup
2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup
2022 Yamaha SLG200S Silent Guitar
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