Quote:
Originally Posted by Brent Hahn
Yeah, interesting that in a 3-chord song, a II is one of them. And a V isn't.
I think Beato is often interesting. But sometimes I find his pedagogical analyses annoying, in the sense that the people who write these songs probably don't think that way at all.
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Right, I don't think Keith (I assume Keith wrote it) was thinking in terms of modes when he came up with it. I think he just heard something that works and went with it.