Quote:
Originally Posted by jonfields45
At the end of the day 99% of your audience will not hear the difference and what we are tweaking is for our own satisfaction. If you can be satisfied without an IR or microphone second source, you will save yourself a whole lot of hassle.
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I agree with this but 99% of your audience will not hear the difference between a high end guitar and a good plywood guitar either, but that doesn't stop people from buying the guitar of their dreams (or seeking it). We tend to buy this stuff, whether high end guitars or various gadgets in the signal chain, to please ourselves, IMHO.
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2003 Martin OM-42, K&K's
1932 National Style O, K&K's
1930 National Style 1 tricone Square-neck
1951 Rickenbacker Panda lap steel
2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's
1957 Kay K-27 X-braced jumbo, K&K's
1967 Gretsch 6120 Chet Atkins Nashville
2014 Gold Tone WL-250, Whyte Lade banjo
2024 Mahogany Weissenborn, Jack Stepick
Ear Trumpet Labs Edwina
Tonedexter
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