10-20-2019, 02:54 PM
|
|
Registered User
|
|
Join Date: Oct 2018
Location: Bavaria, Germany
Posts: 770
|
|
I agree to everything said above and add: If you go for a usable result, for me a balanced sounding guitar is much easier to record. If you go for a great sounding result, it can be hard work on any guitar.
And it always depends on the tone the player offers, the mics available, the room sound, the situation (recording seperately or all in one room) ...
I think there is good reason why many love a D18 in the studio but do not love a HD28 in the same environment.
__________________
Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster
mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo
live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye
https://www.youtube.com/@roberthasleder1526
|