Quote:
Originally Posted by martingitdave
No one has seemed to get the best of the L1 M2, but it costs $3,000, and not too many companies want to "dabble" in that high priced market. Most people are willing to buy the L1M2, at that price, because they trust the Bose brand.
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First time I've tried the Bose L1M2 (with Tonematch mixer) I was shocked. Singing into this was unreal, I could hear my voice as if it was in my head because of the "non localization" 180° thing. So I had to own this thing and I did buy it.
Later I realized it was a total overkill for my need and I did eventually find it to sound "digital" and cold. I had to let it go when I first had a Custom Shop Les Paul reissue in my hands (another big shock)
The Bose L1mII is still the very best thing for the application it is meant for.
Quote:
Originally Posted by martingitdave
It's just the engineer in me that likes the (impossible) challenge of trying to replicate the acoustic environment in silicone chips. Oh, and, occasionally, I need a system to do some actual performing.
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I am suprised the engineer in you did not push you to build your own by yourself. I started the IR process because I was tired of waiting for a pickup solution and saw the potential of combining IR convolution and the Baggs Lyric.
Now my dream would be to have the time to:
* Find or make a stereo TA amulet. Because I really think the first 3 strings (EAD) and next 3 strings (GBE) would benefit from having a separate IR. With stereo IR, it would lead to 4 ouputs. It means I need 4 channels digital DSP but it's no big deal since many DSPs are meant for Dolby 5.1.
* Those 4 ouputs would be 4 speakers or 4 exciters ona flat wood panel and a Bass reflex tuned to the soundhole-box resonance of my D-18.
* Finally I would add a second "stage" with its own box with BMR speakers all round to have my vocals "non localized" like when you sing in your bathroom but without the room resonance. Note I would not go Bose Line array way but more the Bose 901 original idea.
I nearly have all the pieces at home now (BMRs, exciters, amps, power supply, DSP developpement board...) But I have not the time and courage to start.
PS: One thing I am sure is that in my amplification dream. Vocals and guitar are not amplified by the same amp.
lol
Cuki
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Martin 00-18V Goldplus + internal mic (2003)
Martin OM-28V + HFN + internal mic (1999)
Eastman E6OM (2019) Trance Audio Amulet
Yamaha FGX-412 (1998)
Gibson Les Paul Standard 1958 Reissue (2013)
Fender Stratocaster American Vintage 1954 (2014)
http://acousticir.free.fr/