What exactly are you stuck with? Fingering? Rhythm? Something else? Op. 59 is the method, and there are a lot of pieces in there.
Can you be more specific about which piece you're talking about? Is it the part of the method where he goes through the various major and minor keys, with the scale, chords, then a prelude?
In bar 3 of that prelude, you continue with the D7/E from the prior measure for the first half, then the second half is essentially a B7 with the E still in the bass. You finger the f# on the 4th string with the third finger, the a on the third string with the first finger, and the d# on the second string with the fourth finger.
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