I mainly use compression on the mixer as I rarely gig without it when playing acoustic. That said I have a Carl Martin Compressor Limiter which is extremely transparent and very capable. They aren’t particularly cheap but they offer studio quality sound.
Same with reverb but on my electric pedal board I use the TC Electronics Hall of Fame which offers many different types of reverb, from genuine room and hall simulations to spring and plate and even lo-fi reverbs. It’s about a third the price of the Strymon pedals which are superb but not particularly cheap either…
__________________
Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV;
Ex-pat Brit in Sweden
|