Quote:
Originally Posted by runamuck
The nice thing about what I'm having you do here is you can balance the output volume with the fader on each track to get them even where if you record a stereo track that requires getting input and gain to the mics perfect up front.
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No problem balancing R and L volumes in a stereo track. I do that on most every recording. It is a simple thing that DAW native utilities can do as well as plugins (many free).
Same thing for adjustments in R or L time delay. Therefore I feel rather free to move around mike positions mainly focusing on the tone I want rather than other things.