12-13-2019, 07:52 AM
|
|
Registered User
|
|
Join Date: Oct 2018
Location: Bavaria, Germany
Posts: 770
|
|
activate the low cut in the instrument channel on your board. mic placement towards the sound hole (what nobody will do when recording in the studio), some significant bass roll off in the instrument channel on your board.
perfect mic choice would be Neumann KM85 for its low freqeny roll off. They are rare and expensive. Next mic I would use is Shure KSM 137 for its effective low cut or any small condenser with flat response (no hyped trebles) and decent low cut.
And yes, it is possible to amplify a guitar that way in the environment described. And K10 is a perfect choice.
__________________
Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster
mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo
live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye
https://www.youtube.com/@roberthasleder1526
|