How to tell from compressors
Rather that hijack the Black Friday compressor thread, I’ll open this one.
What level of experience, refinement, or discernment does one need to reach to be able to hear the differences among compressors? Do some provide the elegant, silky finish while others ruin a song? Something in between these extremes?
I use Studio One, which has two native compressor plug-ins: one that emulates three classic formats and the other that just “compresses” according to infinitely adjustable threshold, ratio, knee, attack, and release choices. I can hear how both of these plug-ins permit me to dial in a consistent volume for voice, bass, and guitars, or punch up a kick or snare. Is this not enough?
I don’t get it.
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1952 Martin 0-18
1977 Gurian S3R3H with Nashville strings
2018 Martin HD-28E, Fishman Aura VT Enhance
2019 Martin D-18, LR Baggs Element VTC
2021 Gibson 50s J-45 Original, LR Baggs Element VTC
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1981 Ovation Magnum III bass
2012 Höfner Ignition violin ("Beatle") bass
Last edited by b1j; 11-26-2022 at 10:55 AM.
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