Since your recording is for a NGD post I'd prefer to hear it recorded with as much realism as possible (transparent gear) then no post processing (no EQ, no compression, etc). If your ambient noise in your recording space is a problem, then maybe a high pass filter in the range of 40-60Hz.
But if your purpose isn't as much realism as possible, then I guess it depends on what you want to change from your raw recording.
__________________
Chuck
2012 Carruth 12-fret 000 in Pernambuco and Adi
2010 Poling Sierra in Cuban Mahogany and Lutz
2015 Posch 13-fret 00 in Indian Rosewood and Adi
|